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Collective Rage: A Play in Five Betties

By Joseph Cillo

A Bold and Thought-Provoking Journey of Self-Discovery

Collective Rage: A Play in Five Betties by Shotgun Players delivers a vibrant, engaging, and masterfully crafted exploration of identity, gender, and personal freedom, leaving the audience both very entertained and reflective.

This fun yet thoughtful production masterfully explores themes of identity, gender, and personal freedom. Directed by Becca Wolff and written by Jen Silverman, the play features five characters named Betty, each on a journey of self-discovery in a world filled with societal expectations.

Silverman’s writing is both sharp and insightful, giving each Betty a distinct voice and personality. The narrative intertwines humor and introspection, allowing the audience to reflect on the human experience in a way that is both entertaining and meaningful. The play’s structure, which includes a play-within-a-play inspired by Shakespeare’s “A Midsummer Night’s Dream,” adds depth and complexity to the story.

The performances by Atosa Babaoff, Skyler Cooper, Raisa Donato, linda maria girón, and Nicole Odell are fun, compelling, authentic – and sometimes, over-the-top. Each actor brings a unique energy to the role, making the audience feel connected to their characters’ struggles and triumphs. The chemistry among the cast enhances the play’s exploration of complex emotions and relationships.

 

The inventive set design by Angrette McCloskey transforms the stage into a dynamic and immersive world. Additionally, the thematic art installation in the lobby, featuring works by visual artists including Cara Goldstein and Suzanna Scott, enriches the overall experience and provides a visual extension of the play’s themes.

Becca Wolff’s direction skillfully balances the play’s humor and its deeper messages. Wolff’s vision allows the absurdity and humor of the story to shine while ensuring that the play’s exploration of identity and self-discovery remains impactful.

Silverman’s play challenges the audience to reconsider societal norms and stereotypes, offering a fresh perspective on the quest for personal happiness and authenticity. The play is an invitation to exercise a braver, more vital imagination about who we are and what we’re capable of, a theme that resonates strongly in today’s world.

Collective Rage: A Play in Five Betties is a bold and relevant production that is both entertaining and thought-provoking. Shotgun Players once again demonstrate their commitment to creating affordable, impactful theater that speaks to a diverse audience. This play is a testament to the power of storytelling and the importance of challenging the status quo.

 

The Prom at Sonoma Arts Live

By Flora Lynn Isaacson

 

Last Sunday, a sold-out house enjoyed the final performance of The Prom at Sonoma Arts Live. The audience was taken in immediately by the cast’s electric energy. The show was thoroughly entertaining thanks to their fine acting, singing and dancing.

The play is based on the book by Bob Martin and Chad Beguelin (lyrics also by Beguelin and music by Matthew Sklar).

This production highlights the many talents of Jonathen Blue. His direction, choreography, singing and acting are extraordinary.

According to Blue, the story of The Prom “belongs to anyone who has ever felt ostracized, excluded or treated differently for what they believe or who they love.”

The plot is “loosely based” on a real person–Constance McMillen, a high school girl who was banned from bringing a female date to her prom in 2010.

McMillen’s story got nationwide attention; the ACLU sued the school district, and won a case on her behalf. Five years later, the idea for The Prom was conceived by playwright/producer Jack Viertel.

According to Newsweek, Viertel envisioned a play about “a girl in Indiana who wants to take her girlfriend to a prom and some failing actors come in to help—but they mess things up.” He called Martin and Beguelin with the concept and they “dove right in, creating a farcical show,” that won a Tony Award for Outstanding Musical (2019).

The first act is set backstage in a Broadway theater where four actors learn the play they are appearing in is closing immediately. Scathing reviews have labeled their performances “self-indulgent” and “narcissistic.”

In response to the criticism, they talk about how to redeem themselves in the public eye by getting involved in a “worthy” cause.

Many causes are brought up but the Prom controversy interests the group the most so they decide to go to Indiana and take a stand.

Daniela Innocenti Beem (Dee Dee), Jeremy Berrick (Trent), Tim Setzer (Barry) and Chelsea Smith (Angie) are spectacular playing the “out of town actors” trying to combat the town’s intolerance. Their performances are delightful and full of humor. They bring life to the play’s clever dialogue and fabulous song with stage presence off the charts!

Hannah Passanisi (as Emma, the student at the center of the storm), Pilar Gonzales (Emma’s girlfriend Alyssa), and Julia Holsworth (Alyssa’s uptight mother) are equally impressive in their roles.

Laurynn Malilay’s creative set design and Christina Howell’s outstanding music direction add much to the show. Kudos also to Maeve Smith (costume design), Levi Klouse (lighting) and Jaime Love (Producer) for making this a memorable show.

Coming up next at Sonoma Arts Live is Young Frankenstein, directed by Larry Williams, September 6-22.

 

 

 

Don’t Stop Us Now

By Joseph Cillo

Superb Performance

A Delightful Evening of Song and Dance

Transcendence Theatre Company’s latest production, “Don’t Stop Us Now,” is an engaging and delightful experience that leaves audiences feeling joyful and uplifted. From the opening number to the final bow, the performance is a testament to the talent and passion of the ensemble.

Outstanding Performances

The cast of “Don’t Stop Us Now” delivers outstanding performances, showcasing their vocal prowess and emotional depth. Notable performers include Ruby Lewis, Charis Gullage, Emily Yates, J.D. Daw, Julian Diaz-Granados, and Simon Pearl. Each performer brings their unique strengths to the stage, creating a dynamic and cohesive ensemble. Their energy and enthusiasm are contagious, drawing the audience into the heart of the performance.

Impressive Choreography

The choreography is impressive, with each dance number executed with precision and creativity. The blend of contemporary and classic styles is seamless, and the dancers’ synchronization and athleticism are truly captivating. Their movements add an extra layer of storytelling to the songs, enhancing the overall experience.

A Musical Celebration

“Don’t Stop Us Now” celebrates music in a variety of forms, featuring a diverse selection of songs that span different genres and eras. The musical arrangements are well-crafted, highlighting the performers’ strengths and creating a rich auditory experience. Each song feels fresh and engaging, even when it’s a familiar tune.

MidAtlantic Men Meet Queenz That Rock

One of the highlights of this production is the creative collaboration between the MidAtlantic Men, Queenz That Rock, and Transcendence. This world-premiere event showcases epically soaring vocals and tight harmonies, featuring beloved Transcendence artists Emily Yates and Simon Pearl. The show opens with the MidAtlantic Men, who dazzle with their captivating vocals and magnetic charm in a friendly competition of British and American hits. Iconic songs from Elvis to Elton and Adele to Aerosmith are brilliantly performed.

Following this, the Queenz That Rock, a trio of female rock powerhouses, ignite the stage with a journey through rock’s golden ages. Their performance features chart-topping music from Heart, Bonnie Tyler, Bon Jovi, Belinda Carlisle, Pat Benatar, Joan Jett, and more, delivering an explosion of song that leaves the audience enthralled.

Appealing Production Design

The production design complements the performance with vibrant lighting, creative set pieces, and stylish costumes. The seamless transitions between scenes and effective use of space contribute to a smooth and engaging experience from start to finish.

Special Nights and Community Engagement

Transcendence Theatre Company’s commitment to community engagement is evident with special events like Pets Lifeline Night on July 25, where 15% of all ticket sales are donated to Pets Lifeline, sponsored by the girl & the fig. Additionally, $5 Family Night on July 28 offers an affordable option for families to enjoy the show together. These community nights not only enhance the overall experience but also support valuable causes.

Broadway in Sonoma

The “Don’t Stop Us Now” production is part of Transcendence’s Broadway in Sonoma series, featuring four weekends of Broadway musical revues in the picturesque Sonoma Field of Dreams. Each show highlights unique musical styles and performances from acclaimed Broadway musicals like Hamilton, Wicked, and Les Misérables. Arriving early allows attendees to enjoy dinner, shopping, and world-class wine tasting around the historic Sonoma Plaza before the show.

Transcendence Theatre Company’s “Don’t Stop Us Now” is a must-see production that highlights the best of musical theatre. With its excellent performances, impressive choreography, and engaging energy, it’s a show that promises to entertain and inspire. Don’t miss the opportunity to experience this delightful evening of song and dance. Tickets are now as low as $25, with 40% of all tickets under $50. Click on the “Book Tickets” button on their website to secure your seats today.

 

Laurie Roldan Sings A Song For You

By Joseph Cillo

Hello Theatre Enthusiasts,

San Francisco’s 42nd Street Moon presents:

Laurie Roldan Sings A Song For You
A Cabaret Concert Inspired by the Music of Karen Carpenter
– A Tribute to Karen Carpenter – August 17 & 25

About the Concert:
Written and directed by Laurie Roldan, this cabaret concert features Laurie Roldan singing favorite hits by Karen Carpenter, accompanied by the talented musicians Brett Strader (piano), Michael Henning (drums), and Aaron Germain (bass). This concert is a heartwarming journey through well-known Carpenters songs, interwoven with personal stories and memories shared by Laurie. Guest vocalists and children’s ensemble will also join Laurie on stage, making this a family-friendly event filled with joy and inspiration.

Laurie Roldan thrives on singing to inspire others and feels this is her unique purpose in life. She has appeared as a soloist with symphony orchestras throughout California and performed lead roles at many Bay Area Theaters. Some favorite roles include The Narrator in Joseph and the Amazing Technicolor Dreamcoat (Shellie Nominee), Percy in The Spitfire Grill (Shellie Nominee), Sarah in Guys and Dolls, Rose in The Secret Garden, and Mary Magdalene in Jesus Christ Superstar. Laurie was also part of the Dean Goodman Award-winning cast of A Grand Night for Singing. She volunteers her performance annually for the Hospice of the East Bay’s “Tree of Lights” events throughout the Bay Area. Roldan recorded an inspirational album, Even That, to comfort those going through difficult times.

After an extensive foray into musical theater, cabaret, and inspirational music, Laurie realized her strongest inspiration growing up was Karen Carpenter. The lyrics to the songs the Carpenters sang told unique stories – many that identified with her life. As a result, Roldan has dedicated several years creating Laurie Roldan Sings A Song For You, a cabaret concert inspired by the music of Karen Carpenter.

The Gateway Theatre
215 Jackson St. (at Battery St.), San Francisco, CA 94111

Tickets:
General Admission: $49
Senior: $39
Student & Under 35: $39
Tickets can be purchased through the Box Office at 415-255-8207 (Tues. – Fri., 11:00 am – 5:00 pm) or online at 42nd Street Moon Tickets.

Social Media Links:

Video Clips:

Limited Engagement – 2 Shows Only!

  • Saturday, August 17, at 7:00 pm
  • Sunday, August 25, at 3:00 pm

 


Accused!

By Joseph Cillo

A Delightful Whodunit at Central Works

Patricia Milton’s latest creation, directed by the talented Kimberly Ridgeway, is a comedic gem that breathes fresh life into the murder mystery genre. The world premiere of Accused!, running from July 13 to August 11, provides an evening filled with laughter, intrigue, and unexpected twists.

The narrative kicks off with a bang as the Lady Detectives take on a new murder case, only to find themselves tangled in a web of anarchists and religious fanatics. The discovery of a body in the parlor of the Hunter Lodging House quickly escalates the stakes, with Victorian Lady Detective Katie Smalls becoming the prime suspect. The ensuing investigation is both thrilling and hilarious, showcasing Milton’s sharp wit and knack for crafting engaging mysteries.

Ridgeway’s direction keeps the pacing brisk and the tension high, ensuring that the audience is constantly engaged. The chemistry among the cast members is palpable, bringing to life the quirky and endearing characters of the Lady Detectives. Their camaraderie and clever banter are a highlight, making for an entertaining and immersive experience.

Acting Ensemble:

  • Chelsea Bearce as Katie Smalls
  • Alan Coyne as Lord Philip Ian Albert, Deacon Manley, & Henri Blancmange
  • Lauren Dunagan as Loveday Fortescue
  • Sindu Singh as Allison Tinglepenny & Inspector Mary Perkins
  • Jan Zvaifler as Valeria Hunter

Special mention must be made of Alan Coyne, so watchable when he is on stage. A master of his craft, Coyne stays in-role even when not in dialogue, captivating the audience with his nuanced performances and adding depth to every scene he is in. Bravo Alan!

The set design and period costumes are meticulously crafted, transporting viewers to the Victorian era with ease. Every detail, from the ornate furnishings to the detectives’ stylish attire, adds to the authenticity and charm of the production.

Despite the serious nature of the plot, Milton masterfully balances the darker elements with humor, resulting in a delightful and accessible play. The clever dialogue and unexpected comedic moments had the audience in stitches, providing a perfect counterbalance to the suspenseful storyline.

Accused! is a must-see for fans of murder mysteries and comedy alike. With limited availability on July 14, 21, and 28, securing tickets while you can is essential. This production is a testament to the talent and creativity of the Central Works Writers Workshop, and it is sure to leave you eagerly anticipating their next premiere.

In summary, Accused! is a thoroughly enjoyable and well-crafted play that promises an evening of laughter, suspense, and delightful performances. Don’t miss the chance to see this fun production!

 

The Prom

By Joseph Cillo

Entertaining and Thought-Provoking

Sonoma Arts Live’s production of “The Prom” captivates and engages from start to finish, entertaining you while making you think. Directed by Jonathen Blue, with music direction by Dr. Christina Howell and produced by Jaime Love, this show cleverly blends humor, heart, and social commentary.

The story centers around four Broadway stars who, in an attempt to revitalize their reputations, rally behind a courageous high school girl, Emma, who faces discrimination for wanting to bring her girlfriend to the prom. The narrative seamlessly blends comedy, heartfelt moments, and social commentary, creating a show that is both entertaining and thought-provoking.

The performances are excellent. Hannah Passanisi portrays Emma Nolan with depth and authenticity, delivering a moving portrayal of resilience and vulnerability. Pilar Gonzales, making her SAL debut, plays Alyssa Greene with warmth and charm. Julia Holsworth captures the strictness and complexity of Mrs. Greene, Alyssa’s mother, perfectly.

The Broadway stars are a particular delight to watch. Dani Beem delivers a powerful performance as the diva Dee Dee Allen, while Tim Setzer’s portrayal of the flamboyant Barry Glickman is both humorous and touching. Chelsea Smith and Jeremy Berrick, as Angie Dickinson and Trent Oliver respectively, bring great energy and charisma to their roles. Kudos to Tim Setzer and Chelsea Smith for their standout performances. The show comes alive in the second half when the Broadway stars get to show off, adding an extra layer of excitement and flair to the production.

The musical numbers are vibrant and captivating, with choreography that is both intricate and energetic. Songs like “Just Breathe” and “Unruly Heart” are standout moments, showcasing the cast’s vocal prowess and emotional range. The ensemble performances are equally impressive, contributing to the dynamic and engaging atmosphere of the production.

The set design and costumes add to the visual appeal, creating a colorful and immersive environment that transports the audience into the heart of the story. The attention to detail in the production design reflects the high standards of Sonoma Arts Live, enhancing the overall experience.

Beyond its entertainment value, “The Prom” delivers a powerful message about acceptance, love, and the importance of standing up for one’s rights. It addresses issues of homophobia and bigotry with sensitivity and nuance, encouraging the audience to reflect on these important social themes.

Sonoma Arts Live’s “The Prom” is a go-see production that combines humor, heart, and a powerful message in a brilliantly executed show. It is a testament to the talent and dedication of the cast and crew, and is highly recommended to anyone looking for a memorable and impactful theater experience.

‘Noises Off’

By Mitchell Field


Theater Review of ‘Noises Off’ at Novato Theater Company
   by Mitchell Field
   a member of the
   San Francisco Bay Area Theater Critics Circle…
I broke a New Year’s resolution last week.
I went to see a show which I have seen before, something which I had resolved not to do, reasoning that there are so many new shows to see, as well as older ones which I have never seen.
In fact, I had twice before seen this particular show, Novato Theater Company’s (NTC) production of the now 90 year-old British dramatist Michael Frayne’s ‘Noises Off’, which The New York Times critic Frank Rich claimed ‘is, was, and probably always will be, the funniest play written in my lifetime’.
‘Noises Off ‘ premiered on Broadway in 1983 and it’s slapstick, door-slamming buffoonery has been a staple of both professional and community theaters ever since.
The lure of one theater’s funniest and most irreverent farces, coupled with the directorial talents of Bay Area stage favorite Carl Jordan, winner of numerous ‘Best Director’ awards from the San Francisco Bay Area Theater Critics Circle (SFBATCC), made me reconsider and Jordan and his NTC team didn’t disappoint.
Frayne’s clever set-up is a three-act farce, a play-within-a-play, which features a seedy theater company rehearsing a cheesy sex-comedy, seen first from the audience’s perspective, the subsequent out-of-town performance from backstage in Act II, then from the audience’s perspective again in Act III. 
Using theater set-design wizardry on NTC’s wide but shallow stage, Marin’s Michael Walraven creates a marvelous revolving affair, which facilitates perfectly the Monty Python-like nincompoopery of the piece.
Jordan’s evenly-balanced cast features Marin stage favorite Heather Shepardson, NTC newcomers Jeffrey Biddle, Diego Hardy, Mike Pavone and Melody Payne, all well-supported by locals Sky Collins, Jane Harrington and Rachel Kaiulani-Kennely and the perennially solid Wood Lockhart, as the doddering Selsdon, a veteran actor with a drinking problem and the show is skillfully lit by SFBATCC award-winning Frank Sarubbi, his 48th assignment for NTC.
Novato Theater Company, like many theater companies around the country are rebuilding post-pandemic and were recently the recipients of four SFBATCC awards for their production of ‘Addams Family’. ‘Noises Off’ has already been awarded a ‘GO SEE’ nomination from the SFBATCC.
‘Noises Off’, which runs through July 14 2024 is a laugh-out-loud affair, ‘guaranteed to delight’ both first-timers and those familiar with the show.
What:     ‘Noises Off’
Where:   Novato Theater Company,  5420 Nave Drive, Novato, CA. 94949
When:    Through July 14 2024     
               Fri & Sat at 7.30 Sundays at 2 pm                           
              (additional performance Thurs. July 11 at 7.30)
Why:       For the laughs and to support local theater.
Tix: 
                                https://www.tickettailor.com/events/novatotheatercompany/960261?