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Woody Weingarten

Ross Valley Players ridicule Sherlock Holmes and sidekick in gender-bending farce in Ross

Sarah McKeregham hams it up as I-reen-ee Adler in Ms. Holmes & Ms. Watson – Apt. 2B while Adrian Deane, as Ms. Sherlock Holmes, tries to figure out what’s going on.
Photo by Robin Jackson.

 

By WOODY WEINGARTEN

Ms. Holmes & Ms. Watson – Apt. 2B is often clever, and as might be expected from the mind of a veteran, feminist comedy writer, delightful and funny.

The problem is that the Ross Valley Players farce is occasionally too clever, bogging down in exposition, verbiage, and some punchlines that are repeatedly repeated until they’re no longer delightful or funny.

Rising above that avalanche of words, despite having to learn about a gazillion of them each, are four extraordinarily fine actors: Adrian Deane (as a marvelously ultra-pompous Ms. Sherlock Holmes); Steve Price (Sir Arthur Conan Doyle villain Professor Moriarty, Inspector Lestrade, and Elliot Monk; Sarah McKereghan (Irene Adler, Mrs. Hudson, and others); and Jennifer La Blanc (an ever-collapsing Ms. Joan Watson).

Although Deane’s purposely robotic characterization may be the sharpest acting job, it’s not the funniest because of the writing by Kate Hamill, who’s penned a batch of successful parodies and in 2017 was named “playwright of the year” by the Wall Street Journal. The writer’s wit is occasionally too cerebral and difficult to access.

Steve Price comically portrays Inspector Lestrade. Photo by Robin Jackson.

Steve Price, whose face is so mobile and voice so cartoonish he makes it impossible to not chuckle frequently, and Sarah McKereghan, whose clowning chops precisely fit the wonder-to-behold cliché, top the laugh-ometer.

 Mary Ann Rodgers must be a better-than-good director, having staged the show so most of those rocket-fast words and concepts are understandable (especially considering the multiple foreign accents).

In truth, a prize should be awarded to those in the crowd who can keep the storyline straight, since it’s rife with subplots and subplots of the subplots. Killings, and faux killings, seemingly come even faster than the gags and character-reveals.

Although the idea of turning the classic detective and his sidekick into females may be intrinsically amusing, the gender-bending device feels underused as a slapstick tool (except in a lesbian scene that’s wonderfully over-the-top).

Sarah McKeregham hams it up as I-reen-ee Adler in Ms. Holmes & Ms. Watson – Apt. 2B while Adrian Deane, as Ms. Sherlock Holmes, tries to figure out what’s going on. Photo by Robin Jackson.

But a piece of the purposely cluttered set — a souvenir skeleton of “I’m-not-a-doctor” Watson — isn’t used at all. Why bother mounting it if you’re going to keep theatergoers futilely waiting for its involvement in one murder or another?

Still, be certain to keep an eye out for Mrs. Hudson, the landlady, and her multi-replicated fumble-fingers. They should ensure laughter.

Don’t miss the buckets of blood either. Third-grade hilarious.

Or the corpse in the tub. Pubescent boy sidesplitting.

Enjoy pop culture and literary references in quip form? It feels as though about 400 of them about yesteryear — mainly books and television shows circa Laverne and Shirley and earlier — are inserted. Some feel especially anachronistic because they belie the fact that Ms. Holmes and Ms. Watson — Apt. 2B is only four years old.

Not incidentally, the title of the “today-ish” comedy may have affected the box office. A recent matinee in Ross found the jam-packed, white-haired audience made up of roughly 20 women to each man. And yet there’s not even a Superbowl, no World Cup.

Billie Cox, who’s earned praise for years for her work with sound, is clearly at the top of her game — everything being timed exquisitely, everything perfectly fitting the action. Also praiseworthy is Valera Coble, who apparently was happy to design costumes that depicted Hamill’s 2021 London rather than the original setting, the 1880s. The garb is so right-on  and so much fun that a lot of it would be great to stash away and wear on Halloween.

The two-hour show is long. It could do with half an hour of paring and the removal of excess jokes that relentlessly resemble AK-47 rifle scattershot.

A final note: Ms. Holmes & Ms. Watson – Apt. 2B is peppered with short political and satirical digs at today’s America. But they’re scattered, almost purposely buried among other quick gags, so they don’t stand out.

It’s unlikely that anyone left the Barn discussing the Trump Administration. They were undoubtedly too busy talking about all the verbal and physical silliness. And whether they liked the show.

Ms. Holmes & Ms. Watson – Apt. 2B will run at the Barn, 30 Sir Francis Drake Blvd. on the grounds of the Marin Art and Garden Center, Ross, through June 15. Tickets: $30 to $45. Info: www.RossValleyPlayers.com or 415-456-9555.

 Sherwood “Woody” Weingarten, a longtime voting member of the San Francisco Bay Area Theater Critics Circle, can be contacted by email at voodee@sbcglobal.net or on his websites, https://woodyweingarten.comand https://vitalitypress.com. His books include Rollercoaster: How a man can survive his partner’s breast cancer, aimed at male caregivers; MysteryDates — How to keep the sizzle in your relationship; The Roving I, a compilation of 70 of his newspaper columns; and Grampy and His Fairyzona Playmates, a whimsical fantasy intended for 6- to 10-year-olds that he co-authored with his then 8-year-old granddaughter.

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