Misa Kuranaga in Wheeldon’s Cinderella© // © Lindsay Thomas
San Francisco Ballet presents Christopher Wheeldon’s Cinderella©, set to Sergei Prokofiev’s score, March 31 to April 8, 2023 at San Francisco’s War Memorial Opera House, orchestra conducted by Martin west. This three act ballet is glorious in its visual storytelling, production design and of course, the fine tuned precision and flourish of the San Francisco Ballet.
The leading and character roles are played by a different cast at each performance and on opening night, March 31, 2023 Cinderella was danced by Misa Kuranaga. This role is strenuous in the amount of choreography and emoting the character does in her journey as an orphan to fulfil her dreams of going to the ball. We all know the story and what happens eventually, but Wheeldon took elements from several versions of the Cinderella story as told decades ago, and this Cinderella is fresh in the new ideas and imagery it brings.
Misa Kuranaga and Isaac Hernández in Wheeldon’s Cinderella© // © Lindsay Thomas
Kuranaga is notable as Cinderella with lovely projection and sublime, fluid movement throughout all her solos, duets and when she joins other groups along the way. Throughout the entire ballet she sustains her light dance quality and goes through a range of emotions from sadness to pure joy and wonderment.
Jennifer Stahl as Hortensia, the stepmother is beautifully strange, usually accompanied by her two daughters, Cinderella’s stepsisters, danced by Elizabeth Powell and Ellen Rose Hummel, forming a deliciously quirky and powerful trio with choreography and angular movement to match.
Prince Guillaume danced by Isaac Hernandez is Cinderella’s romantic lead and works well with his childhood friend, Benjamin, danced by charismatic Esteban Hernández. Their sword interplay is mirrored in Act 1 when the boys were young children and then become grown up versions – this makes a connection and through line to focus on throughout the story timeline.
Tiit Helimets plays Cinderella’s Father partnered with Cinderella’s Mother, Kamryn Baldwin in some tender parental moments.
San Francisco Ballet in Wheeldon’s Cinderella© // © Lindsay Thomas
A curious group of characters in dark blue and black waft in and out of each act adding an ethereal element to the storytelling. They are ‘helpers’ as in various genres of theatre and performance and interact with and around Cinderella and others somewhat like a Greek Chorus, moving the story forward and facilitating otherworldly action. These are the Fates, a dynamic group danced by Daniel Deivison-Oliveira, Steven Morse, Alexander Reneff-Olson, John-Paul Simoens. The Fates are a vital part of this witty reimagining of Cinderella – and they look like they are having too much fun!
San Francisco Ballet in Wheeldon’s Cinderella© // © Lindsay Thomas
Outstanding scenic and beautiful costume design by the renowned Julian Crouch is creativity personified. Stunning sets and transitions truly transport the audience into the magical nether world and back to reality with clever choices that work together perfectly with Wheeldon’s imagination and vision. Lighting design by Natasha Katz and Projection design by Daniel Brodie are all part of this magic together with Basil Twist for his show stopping tree and carriage sequence direction/design.
If you have not yet seen Wheeldon’s Cinderella, do so, it will take you away to where anything is possible!
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Jo Tomalin, Ph.D. reviews Dance, Theatre & Physical Theatre Performances
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Jo Tomalin studied with Jacques Lecoq in Paris. She completed the two year professional course at Ecole Internationale de Théâtre Jacques Lecoq, Paris, France, where she also completed the Laboratoire du Mouvement (LEM) scenography, mask and movement course.
Originally from England, Jo is currently based in San Francisco, where she reviews Theatre & Dance for www.ForAllEvents.com & www.FringeReview.co.uk. She is a Professor in the School of Theatre & Dance at San Francisco State University where she teaches performance subjects and directs MainStage plays. She also works in the performing arts field as a freelance movement & voice specialist, director + actor. Jo’s play “Jessica” which she also directed was produced at the Fringe of Marin – a One Act New Play Festival in Northern California.
Jo Tomalin graduated with a degree from London University’s Laban Centre Teaching Credential program in Modern Dance, Art of Movement & Choreography; studied Classical Acting at the Royal Academy of Dramatic Art (RADA), London; completed a teacher’s diploma (ATCL) in Voice and Acting from Trinity College of Dramatic Art, London; and studied classical ballet for 12 years.
Jo also holds a Ph.D. in Education with a specialization in Instructional Design for Online Learning from Capella University, MN, and a Master of Science degree in Educational Technology from Boise State University in the USA.
