The Berkeley Playhouse continues to dazzle with its latest production, “Head Over Heels,” a rollicking musical that marries the 16th-century pastoral romance with the infectious pop rock sound of The Go-Go’s. This high-energy show, running from May 24 to June 30, 2024, is a must-see for anyone seeking a fun, heartwarming theater experience.
“Head Over Heels” tells the story of a royal family on a quest to restore their kingdom’s lost “beat,” exploring themes of love, friendship, gender, and sexuality along the way. The original book by Jeff Whitty and adaptation by James Magruder offer a witty, modern twist on the classic narrative, while the music and lyrics by The Go-Go’s infuse the show with an 80s flair that is both nostalgic and invigorating.
Under the masterful direction of Mel Martinez, the cast brings this vibrant world to life with remarkable talent and infectious enthusiasm. Jessica Coker shines as Queen Gynecia, delivering a performance that is both regal and deeply human. DC Scarpelli’s portrayal of King Basilius is equally compelling, balancing humor and pathos with ease. Jacqueline Dennis as Philoclea and Jas Cook as Pamela bring depth and charm to their roles as the royal daughters, each on their own journey of self-discovery.
The standout performances don’t stop there. Milo Boland as Musidorus and Melinda Campero as Mopsa are captivating in their roles, bringing both comedic timing and emotional resonance to their characters. B Noel Thomas as Pythio, the oracle, adds a mystical and dynamic presence that ties the story together.
Choreographer Kevin Gruwell and Music Director Michael Patrick Wiles deserve special mention for their work. Gruwell’s choreography is lively and inventive, perfectly capturing the spirit of The Go-Go’s music, while Wiles ensures that the musical numbers are both polished and heartfelt. Songs like “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation” are cleverly woven into the narrative, enhancing the story without overshadowing it.
The set and costume design further elevate the production, transporting the audience to a whimsical, yet relatable, world where old meets new. The creative team’s attention to detail is evident in every aspect, from the colorful costumes to the imaginative set pieces.
“Head Over Heels” is more than just a fun night out at the theater; it’s a celebration of self-acceptance and the courage to be true to oneself. As Director Mel Martinez aptly puts it, “To speak your truth is scary, but when you are truly yourself, everything looks better—even tastes better! It’s like being in love.”
Performances run Friday through Sunday, with select weekday evenings. For tickets or more information, visit berkeleyplayhouse.org. Don’t miss this chance to experience a show that is as thought-provoking as it is entertaining. “Head Over Heels” at Berkeley Playhouse is a triumph that will leave you tapping your feet and reflecting on the journey of self-discovery long after the final curtain falls.
