Joseph Cillo

Entertaining and Thought-Provoking

Sonoma Arts Live’s production of “The Prom” captivates and engages from start to finish, entertaining you while making you think. Directed by Jonathen Blue, with music direction by Dr. Christina Howell and produced by Jaime Love, this show cleverly blends humor, heart, and social commentary.

The story centers around four Broadway stars who, in an attempt to revitalize their reputations, rally behind a courageous high school girl, Emma, who faces discrimination for wanting to bring her girlfriend to the prom. The narrative seamlessly blends comedy, heartfelt moments, and social commentary, creating a show that is both entertaining and thought-provoking.

The performances are excellent. Hannah Passanisi portrays Emma Nolan with depth and authenticity, delivering a moving portrayal of resilience and vulnerability. Pilar Gonzales, making her SAL debut, plays Alyssa Greene with warmth and charm. Julia Holsworth captures the strictness and complexity of Mrs. Greene, Alyssa’s mother, perfectly.

The Broadway stars are a particular delight to watch. Dani Beem delivers a powerful performance as the diva Dee Dee Allen, while Tim Setzer’s portrayal of the flamboyant Barry Glickman is both humorous and touching. Chelsea Smith and Jeremy Berrick, as Angie Dickinson and Trent Oliver respectively, bring great energy and charisma to their roles. Kudos to Tim Setzer and Chelsea Smith for their standout performances. The show comes alive in the second half when the Broadway stars get to show off, adding an extra layer of excitement and flair to the production.

The musical numbers are vibrant and captivating, with choreography that is both intricate and energetic. Songs like “Just Breathe” and “Unruly Heart” are standout moments, showcasing the cast’s vocal prowess and emotional range. The ensemble performances are equally impressive, contributing to the dynamic and engaging atmosphere of the production.

The set design and costumes add to the visual appeal, creating a colorful and immersive environment that transports the audience into the heart of the story. The attention to detail in the production design reflects the high standards of Sonoma Arts Live, enhancing the overall experience.

Beyond its entertainment value, “The Prom” delivers a powerful message about acceptance, love, and the importance of standing up for one’s rights. It addresses issues of homophobia and bigotry with sensitivity and nuance, encouraging the audience to reflect on these important social themes.

Sonoma Arts Live’s “The Prom” is a go-see production that combines humor, heart, and a powerful message in a brilliantly executed show. It is a testament to the talent and dedication of the cast and crew, and is highly recommended to anyone looking for a memorable and impactful theater experience.

A Riveting Revival: San Francisco Playhouse’s “Evita”

The San Francisco Playhouse has outdone itself with its latest production, Andrew Lloyd Webber and Tim Rice’s “Evita.” Running through September 7, 2024, this show is one of the highlights of the 2024 season. With a stellar cast and exceptional production team, “Evita” delivers a powerful and poignant portrayal of Eva Perón’s rise to power, capturing the essence of her journey from a poor child to the First Lady of Argentina.

Stellar Performances

Sophia Alawi shines as Eva Perón, bringing fiery passion and depth to the role. Her transformation from an ambitious actress to the most powerful woman in Latin America is portrayed with an intensity that grips the audience from start to finish. Alawi’s ability to convey Eva’s complex emotions, from her vulnerability to her commanding presence, is a testament to her exceptional talent. Her previous accolades, including the San Francisco Bay Area Theatre Critics Circle award for Best Featured Actress, are well deserved, and her performance in “Evita” is nothing short of mesmerizing.

Alex Rodriguez, returning to the Playhouse as the political activist Che, provides a compelling counterpoint to Alawi’s Eva. Rodriguez’s portrayal is charismatic and layered, embodying the voice of the people and offering a critical perspective on Eva’s actions. His dynamic stage presence and powerful vocals make him a standout in every scene.

Peter Gregus, making his Playhouse debut as Juan Perón, delivers a skillful performance, portraying the military leader-turned-president with depth and gravitas. Gregus brings a dignified and measured approach to the role, highlighting Juan’s political ambitions and his complex relationship with Eva. His experience on Broadway, particularly in “Jersey Boys,” is evident in his polished and commanding performance.

Jurä Davis returns as Agustin Magaldi, Eva’s first love, and his portrayal adds another layer to Eva’s early life. Davis brings charm and a touch of melancholy to the role, effectively illustrating the fleeting and tumultuous nature of Eva’s early relationships. Chanel Tilghman, making her Playhouse debut as Perón’s Mistress, also delivers a memorable performance. Her character’s vulnerability and sorrow are beautifully captured, adding depth to the narrative.

The ensemble cast, including Malia Abayon, Christine M. Capsuto-Shulman, Chachi Delgado, Gabriella Goldstein, César Lino, Dian Sitip Meechai, Deanalís Arocho Resto, River Bermudez Sanders, and Nicholas Tabora, provides strong support, bringing vibrancy and energy to the musical numbers. Their collective talent ensures that every scene is dynamic and engaging.

Exceptional Direction and Choreography

Bill English’s direction is both innovative and respectful of the classic musical’s roots. His vision brings out the raw emotions and political undercurrents of the story, making it resonate with contemporary audiences. English’s ability to balance the grand spectacle of the musical with intimate, character-driven moments is particularly impressive. His direction ensures that the audience is constantly engaged, whether through the sweeping musical numbers or the poignant, quieter scenes.

The musical direction by Dave Dobrusky ensures that Webber’s iconic score is performed with precision and passion. Dobrusky’s work with the cast and orchestra brings out the best in the music, highlighting the emotional depth and complexity of Webber’s compositions. The music is a driving force in the production, and Dobrusky’s direction ensures that it is both powerful and poignant.

Nicole Helfer’s choreography is a visual delight, adding dynamism and energy to every scene. Her dance numbers are both intricate and expressive, capturing the spirit of the era and the characters’ emotions. Helfer’s choreography seamlessly integrates with the narrative, enhancing the storytelling and adding an extra layer of engagement for the audience.

Impressive Production Values

The production values are top-notch, with scenic design by Heather Kenyon and lighting design by Michael Oesch creating a vivid and immersive atmosphere. Kenyon’s sets are both grand and detailed, effectively transporting the audience to 1940s Argentina. Oesch’s lighting design complements the sets beautifully, using light and shadow to enhance the mood and drama of each scene.

Abra Berman’s costume design faithfully recreates the fashion of the era, adding authenticity to the portrayal of 1940s Argentina. The costumes are both glamorous and historically accurate, reflecting Eva’s transformation from a humble beginning to a figure of immense power and influence. Berman’s attention to detail is evident in every outfit, contributing to the overall visual richness of the production.

The sound design by James Ard and projections by Sarah Phykkit enhance the storytelling, making the audience feel as if they are part of Eva’s tumultuous journey. Ard’s sound design ensures that every note and word is heard clearly, adding to the emotional impact of the performance. Phykkit’s projections add a modern touch to the production, providing context and enhancing the visual storytelling.

The additional contributions of Blue Hephaestus in properties design, Laundra Tyme in wig design, Adam Elder in live cam consultation, Dave Maier in fight choreography, Juan Rebuffo in dramaturgy and cultural consultation, and Marcelo Solis in tango consultation further elevate the production, showcasing a collaborative effort that brings every element of the show to life. Alicia Lerner and Jo Davita Ortiz’s stage management ensures that the production runs smoothly, allowing the audience to fully immerse themselves in the experience.

A Must-See Production

“Evita” at the San Francisco Playhouse is a must-see for theater enthusiasts and newcomers alike. The combination of outstanding performances, expert direction, and high production values make this show a standout. Tickets are reasonably priced from $30 to $125, making it accessible for a wide audience. For more information and to purchase tickets, visit sfplayhouse.org or call the box office at 415-677-9596.

San Francisco Playhouse continues to be a beacon of high-quality theater in the Bay Area, and “Evita” is a testament to their commitment to producing compelling and relevant works. The Playhouse’s mission to create an “empathy gym” is fully realized in this production, as it challenges audiences to understand and empathize with the characters’ journeys and struggles.

Don’t miss your chance to experience this audacious and fascinating musical. “Evita” is more than just a retelling of Eva Perón’s life; it’s a powerful exploration of ambition, politics, and the human spirit, brought to life by a team of talented artists dedicated to delivering a truly unforgettable theatrical experience.

Much Ado About Nothing Shines at Marin Shakespeare Company

Marin Shakespeare Company’s latest production of Much Ado About Nothing is a delightful triumph, blending Shakespeare’s wit with a refreshing contemporary twist. Set in a charmingly rustic dive shop and bar, this adaptation brings the classic comedy to life with vibrant energy and humor.

Plot Summary
In this adaptation, the story unfolds in the Florida Keys, where Leonato, his wife Innogen, their daughter Hero, and her cousin Beatrice live. Their peaceful existence is interrupted by the arrival of Don Pedro and his soldiers, including the young and earnest Claudio, who falls in love with Hero, and the witty bachelor Benedick, who enjoys trading barbs with Beatrice.

To celebrate the end of the war, Leonato hosts a masked ball where Claudio and Hero become engaged. However, Don Pedro’s spiteful sister, Don Joan, devises a scheme to ruin their happiness by convincing Claudio that Hero has been unfaithful. Misled by Don Joan’s deceit, Claudio denounces Hero at the altar, leading to a series of dramatic and comedic events.

Meanwhile, friends of Benedick and Beatrice conspire to make the bickering duo realize their love for each other. Through a series of overheard conversations and misunderstandings, both couples are eventually reunited. The truth about Hero’s innocence is revealed, thanks to the bumbling constable Dogberry, who uncovers Don Joan’s plot. The play concludes with a celebration, highlighting the triumph of love and forgiveness.

Director Domenique Lozano’s insightful approach highlights the play’s rich tapestry of themes, from puppy love and virtuosic verbal sparring to the deeper undercurrents of betrayal and restorative justice. The play cleverly incorporates modern elements such as technology and deep fakes, making it resonate with contemporary audiences.

One of the charms of Marin Shakespeare Company is its enchanting outdoor setting. Performing under the open sky adds a unique and magical dimension to the experience, allowing the audience to connect more deeply with the performance while enjoying the natural beauty of the surroundings. The serene environment, with the gentle rustling of leaves and the evening breeze, enhances the storytelling, making each performance a memorable event.

The cast is exceptional. Bridgette Loriaux as Beatrice commands the stage with sharp wit and playful banter, perfectly paired with Johnny Moreno’s charming Benedick. Their chemistry electrifies the audience, drawing everyone into their “merry war” of words.

Each character adds depth, from Stevie DeMott’s scheming Don Joan to Tai White’s endearing Claudio. The group dynamic captures the essence of the play.

Lozano skillfully balances humor and heart, making timeless themes feel fresh and relatable. The innovative set, designed by Nina Ball, complete with a sea-worn facade and lively bar area, provides a perfect backdrop for the unfolding drama. Christian Mejia’s lighting and Ben Euphrat’s sound design further enhance the ambiance, while Rebecca Valentino’s costumes add authenticity and flair. Choreographer Bridgette Loriaux, Fight Director Dave Maier, and Intimacy Director Cindy Goldfield contribute significantly to the dynamic physicality and emotional depth of the performance.

Overall, this production is a joyous celebration of love, wit, and the complexities of human relationships. Marin Shakespeare Company once again proves its prowess in delivering Shakespearean classics with a modern twist, leaving the audience thoroughly entertained.

Don’t miss this enchanting performance at Marin Shakespeare Company, running from through July 28. It’s a theatrical experience that promises laughter, reflection, and a renewed appreciation for the Bard’s genius.

A Hilarious Night at the Novato Theater Company

I had the pleasure of attending the Novato Theater Company’s production of “Noises Off,” and it was one of the most delightful theatrical experiences I’ve had in some time. Directed by Carl Jordan, this production beautifully captures the essence of Michael Frayn’s celebrated farce, delivering an evening filled with laughter and impressive comedic timing.

The storyline of “Noises Off” revolves around a group of dysfunctional actors attempting to stage a play called “Nothing’s On.” As the rehearsal progresses, chaos ensues both onstage and off, leading to a series of hysterical mishaps involving slamming doors, falling trousers, and misplaced sardines. This “play within a play” format allows the audience to witness the behind-the-scenes antics of the cast and crew, providing a unique and side-splitting perspective on the complexities of theater production.

Heather Shepardson, in the role of Dotty/Mrs. Clackett, delivers a standout performance, masterfully juggling her dual characters with a perfect blend of charm and confusion. Mike Pavone’s portrayal of Lloyd, the volatile director, is both commanding and comically exasperated, capturing the essence of a man on the brink of a nervous breakdown as he tries to keep the production afloat.

One of the most entertaining recurring bits in the play involves sardines, which are mined relentlessly for comedic effect. The constant appearance and disappearance of sardines, coupled with the actors’ increasing frustration and confusion, adds an extra layer of absurdity and hilarity to the production. This running gag is a perfect example of how “Noises Off” excels at using simple props to generate complex laughter.The technical aspects of the show are equally impressive. The set design by Michael Walraven, featuring a revolving set, is a brilliant solution that allows for seamless transitions between the onstage and backstage chaos. This ingenious design adds a dynamic and engaging element to the production, enhancing the overall experience. Frank P. Sarubbi’s lighting design and the sound design by Bruce Vieira & Sound Logic, Inc. further enhance the overall production, creating an immersive and polished theatrical experience.

Special mention must be made of the crew’s efforts, with Maureen Scheuenstahl’s stage management ensuring that the complex and fast-paced nature of the play runs smoothly. The costume design by Kate Leland and Mary Weinberg perfectly captures the farcical nature of the characters, adding another layer of visual comedy to the production.

In addition to the stellar performances and technical execution, the Novato Theater Company should be commended for fostering a welcoming and engaging atmosphere. The dedication of the volunteers and the professionalism of the production team make attending their shows a truly enjoyable experience.

The Novato Theater Company’s “Noises Off” runs from June 21 to July 14, 2024, with performances on Fridays and Saturdays at 7:30 pm, and Sundays at 2:00 pm. An additional performance is scheduled for Thursday, July 11 at 7:30 pm. Tickets can be purchased online through the Novato Theater Company’s website at Novato Theater Company. Don’t miss the chance to see this hilarious and brilliantly executed production.

G0 See
The Novato Theater Company’s “Noises Off” is a must-see production that delivers non-stop laughter and brilliant performances. It is a testament to the skill and dedication of everyone involved, and I highly recommend catching one of the remaining performances if you can. Bravo to the entire cast and crew for a night of unforgettable comedy!