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As I See It

Sep 15 2024
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Nunsense

By Joseph Cillo

An Uproarious Night with Nunsense at Novato Theater Company

The Novato Theater Company kicks off its 104th season with a bang, bringing the hilarious musical comedy Nunsense to life in a delightful and laugh-filled production. Directed by Lisa Morse, this show is a comedic gem that masterfully blends quick wit, slapstick humor, and heartfelt performances. From start to finish, Nunsense delivers the perfect mix of laughter and lightheartedness, making it a must-see for local theater enthusiasts.

The plot follows 5 nuns who are left to organize a fundraiser after a botulism outbreak—caused by none other than Sister Julia, Child of God, a humorous nod to the famous TV chef Julia Child. Sister Julia accidentally poisons 52 of her fellow sisters with her tainted vichyssoise, and it’s up to the remaining nuns to raise enough money to cover the burial costs. Although Sister Julia is only mentioned in the story, her culinary mishap sets the stage for the comedic chaos that follows.

Kristine Ann Lowry shines as Sister Mary Hubert, the second-in-command with a love for gospel music. Lowry’s powerful stage presence and comedic timing make her moments unforgettable, particularly in her musical numbers that brim with energy and joy. Tina Smith’s Sister Robert Anne, the streetwise nun with a penchant for the spotlight, also delivers a standout performance, bringing her character’s ambition and humor to the forefront. Her song “I Just Want to Be a Star” is one of the evening’s highlights.

Nicole Thordsen plays Sister Mary Amnesia, the nun who lost her memory due to a falling crucifix. Thordsen’s portrayal is both endearing and hilarious, as she navigates her character’s childlike innocence with impeccable comedic timing. Her interactions with the audience, combined with her musical talents, offer some of the most uproarious moments of the night.

Lauren Sutton-Beattie as Sister Leo, the novice with dreams of becoming a ballerina, rounds out the cast beautifully. Her dance numbers bring an additional layer of humor and charm, and Sutton-Beattie’s youthful exuberance lights up the stage.

The production’s choreography, by Marilyn Izdebski, is one of the true highlights of the show. Izdebski’s movements are playful and perfectly in tune with the show’s comedic tone, ensuring that every dance number is both entertaining and laugh-inducing. The musical direction by Nick Brown is equally impressive, with the cast’s vocal performances adding richness and depth to the score. Each song is brought to life with humor and heart, perfectly complementing the story’s zany plot.

The set design also deserves special mention, providing a playful and colorful backdrop that enhances the story’s whimsical nature. From the convent setting to the props used in the various skits and musical numbers, the design elements work seamlessly with the direction and performances to create a fun and immersive experience.

In the hands of director Lisa Morse, Nunsense becomes more than just a musical comedy—it’s an experience that audiences will cherish long after the curtain falls. The production’s balance of sharp humor, heartwarming moments, and infectious energy make it a standout in the Novato Theater Company’s lineup this season.

Whether you’re a longtime fan of community theater or new to the scene, Nunsense promises a night of entertainment that will leave you smiling and laughing from start to finish. Be sure to catch this delightful production, running from September 13 through October 13, 2024, at the Novato Theater Company.

 

Sep 07 2024
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Young Frankenstein

By Joseph Cillo

 

Monstrously Good Fun at Sonoma Arts Live

If you’re in the mood for a hilarious and energetic night at the theater, look no further than Sonoma Arts Live’s production of Young Frankenstein. Directed by the talented Larry Williams, this production has it all: sharp humor, fantastic performances, and a thoroughly entertaining storyline that pays homage to the original Mel Brooks film.

While Young Frankenstein might not be to everyone’s taste, it’s a should-see for fans of quirky humor, classic film adaptations, or Mel Brooks’ signature style. The musical brings plenty of laughs and clever moments, and the range of musical numbers enhances the experience. Here are the songs you’ll enjoy during the performance:

Act I:

  1. The Happiest Town in Town – Villagers
  2. The Brain – Frederick Frankenstein
  3. Please Don’t Touch Me – Elizabeth Benning
  4. Together Again – Frederick and Igor
  5. Roll in the Hay – Inga, Frederick, and Igor
  6. He Vas My Boyfriend – Frau Blücher (This number brought the show alive with its humor and eccentricity, delighting the audience.)
  7. It’s Alive – Frederick and Company
  8. Transylvania Mania – Igor, Inga, Frederick, Monster, and Company

Act II:

  1. He’s Loose – Villagers
  2. Listen to Your Heart – Inga and Frederick
  3. Surprise – Inspector Kemp and Villagers
  4. Please Send Me Someone – The Hermit
  5. Man About Town – Monster and Company
  6. Puttin’ on the Ritz – Frederick, Monster, Igor, Inga, Elizabeth, and Company
  7. Deep Love – Elizabeth and Monster
  8. Finale Ultimo – Company

The standout numbers “Transylvania Mania” and “Puttin’ on the Ritz” bring the house down, while “He Vas My Boyfriend” brought the show alive with its humor and character, truly capturing the essence of the quirky fun that runs through the production.

Ensemble Performance:

The ensemble was truly outstanding, giving the production its high energy and comedic charm. Special kudos to:

  • Kim Williams as Frau Blücher, whose eccentricity and comedic timing made “He Vas My Boyfriend” one of the evening’s highlights.
  • Joanna Lynn Bert as Elizabeth Benning, with her humorous portrayal and strong vocal performance, particularly in “Deep Love.”
  • Kevin Allen as The Hermit, who brought warmth and comedic depth to his performance, especially in the touching number “Please Send Me Someone.”

Be sure to check out the fantastic cast in action! The dynamic performances truly brought this production to life.

Sonoma Arts Live continues to prove itself as one of the premier theater companies in the Bay Area, and with this production, they’ve truly outdone themselves. The set design, costumes, and lighting all add to the immersive experience, and it’s clear that a lot of love and care went into making this show a success.

If you haven’t grabbed your tickets yet, now’s the time. Whether you’re a fan of the original film or just looking for a fun night out, Young Frankenstein is a delightful experience that will have you laughing all the way through. Highly recommended!

 

Sep 02 2024
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You’re a Good Man, Charlie Brown (Revised)

By Joseph Cillo

 

A Delightful Evening with Charlie Brown and Friends at Spreckels Performing Arts Center

I had the pleasure of attending the opening night of You’re a Good Man, Charlie Brown (Revised) on Friday, August 30, at the Bette Condiotti Theatre, Spreckels Performing Arts Center. This vibrant and joyful production truly captured the essence of Charles M. Schulz’s beloved Peanuts comic strip, making it a heartwarming experience perfect for the entire family.

Directed by Elly Lichenstein, with music direction by Janis Wilson, the show skillfully blends nostalgia with timeless life lessons and joyful melodies, offering something for audiences of all ages. The talented cast brought the iconic characters to life with energy and heart, ensuring that both children and adults found plenty to enjoy.

Anderson Templeton shone as the ever-hopeful Charlie Brown, capturing his lovable and relatable nature.

Kaela Mariano delivered a standout performance as Lucy Van Pelt, perfectly embodying Lucy’s sassy and headstrong personality

Tyler Ono charmed the audience as Linus Van Pelt, while

Nicole Stanley brought youthful exuberance to the role of Sally Brown.

Chase Thompson played the piano prodigy Schroeder with conviction, and

Brady Voss was a delightful scene-stealer as the whimsical Snoopy, especially during the musical number “Suppertime.”

The musical numbers were entertaining and well-executed, including memorable songs like “Happiness Is…” and “The Baseball Game.” The set design and costumes effectively evoked the familiar Peanuts world, enhancing the charm and relatability of the production.

This production is truly family-friendly, providing a wonderful opportunity for parents and children to enjoy theater together. You’re a Good Man, Charlie Brown (Revised) at the Spreckels Performing Arts Center is a delightful tribute to the simple joys of being yourself, making it a perfect evening of entertainment for everyone.

For more information and to purchase tickets for upcoming performances, visit spreckelsonline.com.

 

Aug 24 2024
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The Comedy of Errors

By Joseph Cillo

Innovative Take on a Classic Comedy

On the unexpectedly cool Friday evening of August 23, I attended the revised opening of “The Comedy of Errors” at the open-air Forest Meadows Amphitheatre. The delay due to a cast illness didn’t dampen the spirit of the production, which impressed with its innovative approach and the resilience of its all-woman cast. The unique choice to feature women in all roles brought a refreshing twist to this Shakespearean classic.

For those unfamiliar with the play, “The Comedy of Errors” is a fast-paced and humorous story centered around mistaken identities. It begins with Egeon, a merchant from Syracuse, who is arrested in Ephesus. Egeon explains that he has been searching for his long-lost twin sons, both named Antipholus, and their twin servants, both named Dromio. Years ago, a shipwreck separated the family, and now both sets of twins find themselves in the same city without knowing the others are there.

The confusion leads to a series of comedic misunderstandings, including wrongful beatings, mistaken romantic advances, and wrongful arrests, as each twin is constantly mistaken for their sibling. The chaos peaks when both pairs of twins are present, causing everyone to doubt their sanity. The resolution comes when the twins are reunited, revealing the true identities of everyone involved and bringing joy to all.

The talented ensemble skillfully navigated the play’s intricate plot of mistaken identities, delivering a performance that was both lively and engaging. Wilma Bonet’s portrayal of Antipholus of Syracuse stood out, bringing charisma and depth to the role. Rebecca Pingree, who also contributed as a Co-Properties Artisan, added a delightful touch of humor to the proceedings.

The ensemble cast, each bringing their own flair to the performance, included:

  • Wilma Bonet (Member of Actors Equity Association)
  • Keiko Shimosato Carreiro (Member of Actors Equity Association)
  • Emily Cummings
  • Valerie Fachman
  • Elizabeth Jones
  • Asha Bagal Kelly
  • Charisse Loriaux (Member of Actors Equity Association)
  • Rebecca Pingree

Set in a cooper’s workshop, the production’s design by Nina Ball effectively transported the audience to Elizabethan England. Jon Tracy’s lighting enhanced the mood shifts throughout the play, while Tammy Berlin’s period-appropriate costumes added authenticity to the characters.

What made this production particularly interesting was the director’s imaginative concept of having an all-woman cast, a nod to what might have happened if women had taken the stage in Shakespeare’s time. This fresh perspective added a new dimension to the performance, challenging traditional gender roles in theater and highlighting the talents of the female cast.

While the production was engaging, it’s worth noting that familiarity with Shakespeare’s language and style enhances the enjoyment of the play. The fast-paced dialogue and complex wordplay can be challenging to follow, but for those well-versed in Shakespeare, this adds to the charm and humor of the experience.

Overall, “The Comedy of Errors” offers an interesting and thought-provoking take on a well-known comedy. The all-woman cast brings a unique energy to the play, making it an enjoyable experience, especially for those who appreciate Shakespeare’s work.

Aug 14 2024
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Dancing in the Street

By Joseph Cillo

A Sizzling Summer Block Party

A High Energy Summer Celebration with Sparkling Performances

Transcendence Theatre Company’s Dancing in the Street offers a vibrant mix of classic hits, lighting up Sonoma’s Field of Dreams from August 15-18, 2024. This show, set against the backdrop of summer in Sonoma, is a celebration of music that spans generations, bringing together beloved tunes from Motown, Elton John, Whitney Houston, and more.

A Talented Cast That Delivers

The cast is a strong ensemble of performers from Broadway and beyond. Becca Andrews makes a noteworthy debut, bringing energy and enthusiasm to her performance. Ginger Bess, with her experience in vintage jazz, anchors the show with a solid presence. Melanie Fernandez, recently seen in Natasha, Pierre, and the Great Comet of 1812, continues to impress with her vocal talents, adding depth to the ensemble. Patrick Garr, a veteran of Mean Girls and Hamilton, brings his characteristic charisma, and Elliott Litherland displays a commendable range in his roles.

Erin Maya’s powerful rendition of Whitney Houston’s “I Wanna Dance with Somebody” is a standout moment, showcasing her vocal strength and stage presence. Vasthy Mompoint, last seen in Hooray for Hollywood, adds a vibrant and dynamic touch to the production. David L. Murray Jr. and Devin L. Roberts contribute solid performances, while Valerie Salgado shines both as a performer and in her role as associate choreographer, helping to craft the show’s fluid and engaging choreography.

Music and Choreography that Captivates

Directed and choreographed by Eric Jackson, the show moves effortlessly from one iconic hit to the next. The creative team, including music director Nicolas Perez and lighting designer Paul Hudson, enhances the overall experience, creating a polished production that doesn’t overshadow the performers but instead complements them. Mark Zuckerman’s sound design ensures that the music and vocals resonate clearly with the audience.

The choreography is lively and well-suited to the music, capturing the essence of each era while keeping the audience engaged. The ensemble works together seamlessly, creating a cohesive and energetic performance that carries the audience along with it.

A Nostalgic Musical Journey

The musical selections in Dancing in the Street are carefully chosen to appeal to a wide audience. The Motown medley is a particular highlight, offering a nostalgic journey through some of the most beloved songs of the era. Elton John’s classics are given a fresh interpretation, and Whitney Houston’s hits, especially “I Wanna Dance with Somebody,” bring the house down.

Final Thoughts – Act Now!

Dancing in the Street is a delightful summer event, offering a mix of nostalgia and high-energy performances that are sure to entertain. While the show may not break new ground, it provides a thoroughly enjoyable evening that will resonate with fans of classic music. With only a few performances left from August 15-18, this is a show worth catching if you’re in Sonoma. It’s a spirited celebration of music that brings the community together.

For tickets and more information, visit Transcendence Theatre Company.

 

Aug 03 2024
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Collective Rage: A Play in Five Betties

By Joseph Cillo

A Bold and Thought-Provoking Journey of Self-Discovery

Collective Rage: A Play in Five Betties by Shotgun Players delivers a vibrant, engaging, and masterfully crafted exploration of identity, gender, and personal freedom, leaving the audience both very entertained and reflective.

This fun yet thoughtful production masterfully explores themes of identity, gender, and personal freedom. Directed by Becca Wolff and written by Jen Silverman, the play features five characters named Betty, each on a journey of self-discovery in a world filled with societal expectations.

Silverman’s writing is both sharp and insightful, giving each Betty a distinct voice and personality. The narrative intertwines humor and introspection, allowing the audience to reflect on the human experience in a way that is both entertaining and meaningful. The play’s structure, which includes a play-within-a-play inspired by Shakespeare’s “A Midsummer Night’s Dream,” adds depth and complexity to the story.

The performances by Atosa Babaoff, Skyler Cooper, Raisa Donato, linda maria girón, and Nicole Odell are fun, compelling, authentic – and sometimes, over-the-top. Each actor brings a unique energy to the role, making the audience feel connected to their characters’ struggles and triumphs. The chemistry among the cast enhances the play’s exploration of complex emotions and relationships.

 

The inventive set design by Angrette McCloskey transforms the stage into a dynamic and immersive world. Additionally, the thematic art installation in the lobby, featuring works by visual artists including Cara Goldstein and Suzanna Scott, enriches the overall experience and provides a visual extension of the play’s themes.

Becca Wolff’s direction skillfully balances the play’s humor and its deeper messages. Wolff’s vision allows the absurdity and humor of the story to shine while ensuring that the play’s exploration of identity and self-discovery remains impactful.

Silverman’s play challenges the audience to reconsider societal norms and stereotypes, offering a fresh perspective on the quest for personal happiness and authenticity. The play is an invitation to exercise a braver, more vital imagination about who we are and what we’re capable of, a theme that resonates strongly in today’s world.

Collective Rage: A Play in Five Betties is a bold and relevant production that is both entertaining and thought-provoking. Shotgun Players once again demonstrate their commitment to creating affordable, impactful theater that speaks to a diverse audience. This play is a testament to the power of storytelling and the importance of challenging the status quo.

 

Jul 26 2024
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Don’t Stop Us Now

By Joseph Cillo

Superb Performance

A Delightful Evening of Song and Dance

Transcendence Theatre Company’s latest production, “Don’t Stop Us Now,” is an engaging and delightful experience that leaves audiences feeling joyful and uplifted. From the opening number to the final bow, the performance is a testament to the talent and passion of the ensemble.

Outstanding Performances

The cast of “Don’t Stop Us Now” delivers outstanding performances, showcasing their vocal prowess and emotional depth. Notable performers include Ruby Lewis, Charis Gullage, Emily Yates, J.D. Daw, Julian Diaz-Granados, and Simon Pearl. Each performer brings their unique strengths to the stage, creating a dynamic and cohesive ensemble. Their energy and enthusiasm are contagious, drawing the audience into the heart of the performance.

Impressive Choreography

The choreography is impressive, with each dance number executed with precision and creativity. The blend of contemporary and classic styles is seamless, and the dancers’ synchronization and athleticism are truly captivating. Their movements add an extra layer of storytelling to the songs, enhancing the overall experience.

A Musical Celebration

“Don’t Stop Us Now” celebrates music in a variety of forms, featuring a diverse selection of songs that span different genres and eras. The musical arrangements are well-crafted, highlighting the performers’ strengths and creating a rich auditory experience. Each song feels fresh and engaging, even when it’s a familiar tune.

MidAtlantic Men Meet Queenz That Rock

One of the highlights of this production is the creative collaboration between the MidAtlantic Men, Queenz That Rock, and Transcendence. This world-premiere event showcases epically soaring vocals and tight harmonies, featuring beloved Transcendence artists Emily Yates and Simon Pearl. The show opens with the MidAtlantic Men, who dazzle with their captivating vocals and magnetic charm in a friendly competition of British and American hits. Iconic songs from Elvis to Elton and Adele to Aerosmith are brilliantly performed.

Following this, the Queenz That Rock, a trio of female rock powerhouses, ignite the stage with a journey through rock’s golden ages. Their performance features chart-topping music from Heart, Bonnie Tyler, Bon Jovi, Belinda Carlisle, Pat Benatar, Joan Jett, and more, delivering an explosion of song that leaves the audience enthralled.

Appealing Production Design

The production design complements the performance with vibrant lighting, creative set pieces, and stylish costumes. The seamless transitions between scenes and effective use of space contribute to a smooth and engaging experience from start to finish.

Special Nights and Community Engagement

Transcendence Theatre Company’s commitment to community engagement is evident with special events like Pets Lifeline Night on July 25, where 15% of all ticket sales are donated to Pets Lifeline, sponsored by the girl & the fig. Additionally, $5 Family Night on July 28 offers an affordable option for families to enjoy the show together. These community nights not only enhance the overall experience but also support valuable causes.

Broadway in Sonoma

The “Don’t Stop Us Now” production is part of Transcendence’s Broadway in Sonoma series, featuring four weekends of Broadway musical revues in the picturesque Sonoma Field of Dreams. Each show highlights unique musical styles and performances from acclaimed Broadway musicals like Hamilton, Wicked, and Les Misérables. Arriving early allows attendees to enjoy dinner, shopping, and world-class wine tasting around the historic Sonoma Plaza before the show.

Transcendence Theatre Company’s “Don’t Stop Us Now” is a must-see production that highlights the best of musical theatre. With its excellent performances, impressive choreography, and engaging energy, it’s a show that promises to entertain and inspire. Don’t miss the opportunity to experience this delightful evening of song and dance. Tickets are now as low as $25, with 40% of all tickets under $50. Click on the “Book Tickets” button on their website to secure your seats today.

 

Jul 17 2024
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Laurie Roldan Sings A Song For You

By Joseph Cillo

Hello Theatre Enthusiasts,

San Francisco’s 42nd Street Moon presents:

Laurie Roldan Sings A Song For You
A Cabaret Concert Inspired by the Music of Karen Carpenter
– A Tribute to Karen Carpenter – August 17 & 25

About the Concert:
Written and directed by Laurie Roldan, this cabaret concert features Laurie Roldan singing favorite hits by Karen Carpenter, accompanied by the talented musicians Brett Strader (piano), Michael Henning (drums), and Aaron Germain (bass). This concert is a heartwarming journey through well-known Carpenters songs, interwoven with personal stories and memories shared by Laurie. Guest vocalists and children’s ensemble will also join Laurie on stage, making this a family-friendly event filled with joy and inspiration.

Laurie Roldan thrives on singing to inspire others and feels this is her unique purpose in life. She has appeared as a soloist with symphony orchestras throughout California and performed lead roles at many Bay Area Theaters. Some favorite roles include The Narrator in Joseph and the Amazing Technicolor Dreamcoat (Shellie Nominee), Percy in The Spitfire Grill (Shellie Nominee), Sarah in Guys and Dolls, Rose in The Secret Garden, and Mary Magdalene in Jesus Christ Superstar. Laurie was also part of the Dean Goodman Award-winning cast of A Grand Night for Singing. She volunteers her performance annually for the Hospice of the East Bay’s “Tree of Lights” events throughout the Bay Area. Roldan recorded an inspirational album, Even That, to comfort those going through difficult times.

After an extensive foray into musical theater, cabaret, and inspirational music, Laurie realized her strongest inspiration growing up was Karen Carpenter. The lyrics to the songs the Carpenters sang told unique stories – many that identified with her life. As a result, Roldan has dedicated several years creating Laurie Roldan Sings A Song For You, a cabaret concert inspired by the music of Karen Carpenter.

The Gateway Theatre
215 Jackson St. (at Battery St.), San Francisco, CA 94111

Tickets:
General Admission: $49
Senior: $39
Student & Under 35: $39
Tickets can be purchased through the Box Office at 415-255-8207 (Tues. – Fri., 11:00 am – 5:00 pm) or online at 42nd Street Moon Tickets.

Social Media Links:

Video Clips:

Limited Engagement – 2 Shows Only!

  • Saturday, August 17, at 7:00 pm
  • Sunday, August 25, at 3:00 pm

 

Jul 14 2024
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Accused!

By Joseph Cillo

A Delightful Whodunit at Central Works

Patricia Milton’s latest creation, directed by the talented Kimberly Ridgeway, is a comedic gem that breathes fresh life into the murder mystery genre. The world premiere of Accused!, running from July 13 to August 11, provides an evening filled with laughter, intrigue, and unexpected twists.

The narrative kicks off with a bang as the Lady Detectives take on a new murder case, only to find themselves tangled in a web of anarchists and religious fanatics. The discovery of a body in the parlor of the Hunter Lodging House quickly escalates the stakes, with Victorian Lady Detective Katie Smalls becoming the prime suspect. The ensuing investigation is both thrilling and hilarious, showcasing Milton’s sharp wit and knack for crafting engaging mysteries.

Ridgeway’s direction keeps the pacing brisk and the tension high, ensuring that the audience is constantly engaged. The chemistry among the cast members is palpable, bringing to life the quirky and endearing characters of the Lady Detectives. Their camaraderie and clever banter are a highlight, making for an entertaining and immersive experience.

Acting Ensemble:

  • Chelsea Bearce as Katie Smalls
  • Alan Coyne as Lord Philip Ian Albert, Deacon Manley, & Henri Blancmange
  • Lauren Dunagan as Loveday Fortescue
  • Sindu Singh as Allison Tinglepenny & Inspector Mary Perkins
  • Jan Zvaifler as Valeria Hunter

Special mention must be made of Alan Coyne, so watchable when he is on stage. A master of his craft, Coyne stays in-role even when not in dialogue, captivating the audience with his nuanced performances and adding depth to every scene he is in. Bravo Alan!

The set design and period costumes are meticulously crafted, transporting viewers to the Victorian era with ease. Every detail, from the ornate furnishings to the detectives’ stylish attire, adds to the authenticity and charm of the production.

Despite the serious nature of the plot, Milton masterfully balances the darker elements with humor, resulting in a delightful and accessible play. The clever dialogue and unexpected comedic moments had the audience in stitches, providing a perfect counterbalance to the suspenseful storyline.

Accused! is a must-see for fans of murder mysteries and comedy alike. With limited availability on July 14, 21, and 28, securing tickets while you can is essential. This production is a testament to the talent and creativity of the Central Works Writers Workshop, and it is sure to leave you eagerly anticipating their next premiere.

In summary, Accused! is a thoroughly enjoyable and well-crafted play that promises an evening of laughter, suspense, and delightful performances. Don’t miss the chance to see this fun production!

 

Jul 13 2024
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The Prom

By Joseph Cillo

Entertaining and Thought-Provoking

Sonoma Arts Live’s production of “The Prom” captivates and engages from start to finish, entertaining you while making you think. Directed by Jonathen Blue, with music direction by Dr. Christina Howell and produced by Jaime Love, this show cleverly blends humor, heart, and social commentary.

The story centers around four Broadway stars who, in an attempt to revitalize their reputations, rally behind a courageous high school girl, Emma, who faces discrimination for wanting to bring her girlfriend to the prom. The narrative seamlessly blends comedy, heartfelt moments, and social commentary, creating a show that is both entertaining and thought-provoking.

The performances are excellent. Hannah Passanisi portrays Emma Nolan with depth and authenticity, delivering a moving portrayal of resilience and vulnerability. Pilar Gonzales, making her SAL debut, plays Alyssa Greene with warmth and charm. Julia Holsworth captures the strictness and complexity of Mrs. Greene, Alyssa’s mother, perfectly.

The Broadway stars are a particular delight to watch. Dani Beem delivers a powerful performance as the diva Dee Dee Allen, while Tim Setzer’s portrayal of the flamboyant Barry Glickman is both humorous and touching. Chelsea Smith and Jeremy Berrick, as Angie Dickinson and Trent Oliver respectively, bring great energy and charisma to their roles. Kudos to Tim Setzer and Chelsea Smith for their standout performances. The show comes alive in the second half when the Broadway stars get to show off, adding an extra layer of excitement and flair to the production.

The musical numbers are vibrant and captivating, with choreography that is both intricate and energetic. Songs like “Just Breathe” and “Unruly Heart” are standout moments, showcasing the cast’s vocal prowess and emotional range. The ensemble performances are equally impressive, contributing to the dynamic and engaging atmosphere of the production.

The set design and costumes add to the visual appeal, creating a colorful and immersive environment that transports the audience into the heart of the story. The attention to detail in the production design reflects the high standards of Sonoma Arts Live, enhancing the overall experience.

Beyond its entertainment value, “The Prom” delivers a powerful message about acceptance, love, and the importance of standing up for one’s rights. It addresses issues of homophobia and bigotry with sensitivity and nuance, encouraging the audience to reflect on these important social themes.

Sonoma Arts Live’s “The Prom” is a go-see production that combines humor, heart, and a powerful message in a brilliantly executed show. It is a testament to the talent and dedication of the cast and crew, and is highly recommended to anyone looking for a memorable and impactful theater experience.