Skip to main content

Legacy film fest on aging offering a variety virtually

By Woody Weingarten

The documentary short “Eddy’s World,” about 98-year-old toy inventor Eddy Goldfarb, screens in the Legacy Film Festival on Aging. (Courtesy Sheila Malkind)

In May 2021, Sheila Malkind, the executive director of the San Francisco-based Legacy Film Festival on Aging, was recovering from a stroke.

“Of course, I’d like to have my body functioning better, but I’m glad I’m alive and still vital mentally and physically,” says the still sanguine Malkind.

The event she founded in 2011 has expanded significantly. Last year’s virtual festival screened 30 films; this time 40, mostly documentaries, will be split into 18 feature programs available online from Jan. 6 through Jan. 22.

A team — Malkind, a curator and a handful of reviewers — pores over possible selections. “If we all say ‘maybe,’ we probably won’t pick the film,” says the 84-year-old festival founder, “but many times we all say ‘yes.’”

This year, several flicks that focus on music won a consensus. Among Malkind’s favorites from the event’s 11th annual edition, she names two: “For the Left Hand” and “The Ten of Us.”

Norman Malone, who mastered the piano and went on a concert tour at age 78, is the subject of “For the Left Hand.” (Courtesy Kartemquin Films)

She loves the first, she explains, “because a man who’d been disabled at an early age, Norman Malone, still mastered some of the most difficult and beautiful music with just one hand.”

The second, which she calls “a fun film,” is about a group of friends who started as teens doing folk music who now have embarked on what the festival website calls “a tour of love, unity, and addressing aging and death with humor and inspiration.”

That pair, as well as many choices in the fest that for the second consecutive year will be 100% virtual, accentuate the positive.

“We want to avoid doom and gloom,” Malkind says. “I believe that no matter what our age, we’re still interested in being alive, in doing whatever we can do. Life can still be exciting in many ways, and we have to take advantage of that possibility, of making old age palatable.”

Former teen folk musicians address “aging and death with humor and inspiration” in “The Ten of Us.” (Courtesy Sheila Malkind)

Other films she touts are:

• “Eddy’s World,” a documentary short by Lyn Goldfarb that centers on the filmmaker’s father. Reports Malkind: “It’s about a toy inventor who’s now 101 (he was only 98 when the film was made) and shows a man who’s delightful.”  Eddy, best known for “chattering teeth” (but who created more than 800 other toys), cheerfully states in the film, “I think that when you do create work, it stimulates your brain and that helps keep your body healthy.”

• “Dear Audrey,” is, Malkind says, “a beautiful film on Alzheimer’s that shows kindness and understanding. It’s very moving — at one point [the husband] goes into the facility where [his wife] is and sleeps in the same bed that she’s in, showing his love and tenderness.”

• “My Mother Dreams: The Satan’s Disciples in New York,” a short film about a widowed Midwestern housewife who becomes obsessed with a Hell’s Angels-ish bikers’ club, won a 1999 Academy Award for best live action short.

• “Golden Age Karate,” a very short short, is about a 15-year-old martial arts champion who teaches senior citizens self-defense at a local nursing home, “giving them the tools to feel in control, connected, and cared for.” It’s part of an 84-minute festival program with a self-explanatory title: Vitality.

Sheila Malkind (Courtesy Sheila Malkind)

With a U.S. Census forecast that by 2035, there will be 78 million people age 65 and older in the country, Malkind aims to flip the attitudes and depiction of older people in Hollywood movies, who “are often still portrayed as irrelevant, sometimes absurd, or they are stereotypical wise elders with limited face time, who give sage advice to the younger, more active characters.” She says, “Most American films do not attempt to portray the richness and variety, nor the triumphs and challenges, of older people.”

Malkind, who grew up in Brooklyn, moved to Chicago, and then relocated to San Francisco in 2003, earned two master’s degrees from Chicago schools. Despite wearing a brace since her stroke, she often walks 40 or 50 minutes in the hills with her son beside her.

It’s seemingly impossible for her to have anything but an upbeat attitude.

A quote on the festival’s website from 19th century writer and philosopher Amos Bronson Alcott, who said, “To keep the heart unwrinkled, to be hopeful, kindly, cheerful, reverent. This is to triumph over old age,” contrasts nicely with a playful quote from Malkind: “I always looked forward to getting older — it’s a part of life, so what the heck.”

Screenings in the Legacy Film Festival on Aging cost $12 per program and $65 for a pass. Visit http://legacyfilmfestivalonaging.org/.

This story was first published on LocalNewsMatters.org, a nonprofit site supported by Bay City News Foundation http://www.baycitynews.org/contact/

Woody Weingarten can be contacted by email at voodee@sbcglobal.net or on his websites, https://woodyweingarten.com and https://vitality press.com.

3 Jewish comics can make you laugh out loud — even if you’re not Jewish

By Woody Weingarten

Lisa Geduldig

It’s not too late.

To see this year’s Kung Pao Kosher Comedy, that is — an event that features three standup comics who can make you laugh out loud. Repeatedly.

My wife and I did.

It might help if you’re Jewish, living with a Jew, have best friends who are Jewish, or have spent hours and hours of stimulating and amusing conversations with seatmates on El Al plane trips to or from Israel.

Truthfully, though, non-Jews are just as apt to find the show extremely funny.

That’s because all three comedians on the bill, despite each occasionally leaning on a Semitic background, mostly launch anecdotes and one-liners about everyday stuff from their own lives.

The headliner, deadpan Mark Schiff, who’s toured with Jerry Seinfeld worldwide for 15 years and had specials on HBO and Showtime, relies on material about medical conditions and his wife; Ladman, a 67-year-old who holds the record for appearances on Kung Pao with five and has appeared on The Tonight Show nine times, deals mostly with her aging issues; and Orion Levine is a 29-year-old funnyman who rips into his family.

The event has been produced for 30 years by mistress of ceremonies Lisa Geduldig, who capitalized on the idea that hordes of Jewish people spent every Christmas Day in a movie house followed by dinner in a Chinese restaurant, the only kind generally open on the holiday.

So, calculating that she had a built-in audience, she conjured up the idea of an in-person comedy dinner show in spite of never having produced anything before. Her intuition was right, of course, and she had to turn away 200 people her first time out.

Geduldig has noted that the “audience began as 99% Jewish and has expanded to include Chinese-Jewish couples, interfaith ones, singles, families, gays, straights, undecideds, those who are far from home, and just generally people who like smart comedy mixed with Chinese food.”

This year’s anniversary show can be viewed in-person or via a YouTube Live livestreaming. Dinner begins at 5 p.m. with both the in-person show and its live livestreaming cousin an hour later — tonight and tomorrow night.

The show also highlights one lighthearted video anecdote from Geduldig’s 91-year-old mom, Arline, from Boynton Beach, Florida.

The Chinese restaurant site this go-‘round, believe it or not, is Sherith Israel, a synagogue at 2266 California Street in San Francisco — because the New Asia Restaurant, where the event had been held since its fifth year, was closed by the pandemic.

In-person attendees, by the way, receive a special swag bag that includes a pair of wooden custom-printed Kung Pao chopsticks, a packet of Yiddish-proverb fortune cookies, and sundry knick-knacks.

Masks — to block Covid, the flu, and RSV — are recommended when not eating or drinking.

Tickets, which range from $30 to $100, are available at https://www.koshercomedy.com. Part of the proceeds will go to the San Francisco-Marin Food Bank and the Center for Reproductive Rights.

Helgi Tomasson’s Nutcracker at San Francisco Ballet

By Jo Tomalin
Photo above: Nikisha Fogo in Tomasson’s Nutcracker at San Francisco Ballet. Photo credit: © Quinn Wharton

 

San Francisco Ballet presents Nutcracker, December 8-27, 2022 at the War memorial Opera House. Choreographed by Helgi Tomasson in 2004, and set to music by Peter Ilyich Tchaikovsky, orchestra conducted by Martin West. This joyous Nutcracker is set in San Francisco, 1915. It is a ballet for everyone to enjoy in the holiday season, and this Nutcracker is a wonderful return to live performances.

The story of young Clara is first told through visual and physical storytelling as we see her uncle Drosselmeyer – expressively played by Pascal Molat, putting the finishing touches on his special present for Clara at her family Christmas party. Then guests are welcomed into the elegant family house and the magic begins!

 

Tiit Helimets in Tomasson’s Nutcracker
Photo credit: © Quinn Wharton

Clara’s friends are played by Students of the San Francisco Ballet School, and they interact gleefully, play games expressed though dance in delightful sequences and combinations while the parents gather together and gifts arrive. Clara receives her specially crafted present from her uncle, a beautifully carved nutcracker character, and the dream begins. Clara, played by Ruby Rosenquist with charm and verve is taken to a magical world where everything is sweetness and wonder.

San Francisco Ballet comes into its own with the corps and soloists presenting the traditional characters of Nutcracker. There are many different characters and dances in this ballet, that entertain and surprise – with dashes of excitement and humor!

San Francisco Ballet in Tomasson’s Nutcracker
Photo credit: © Quinn Wharton

A standout partnering is Yuan Yuan and Henry Sidford as the Queen & King of the Snow supported by a glorious corps of Snowflakes. This is a memorable scene that is precise in footwork and lifts, it is certainly a beautifully transporting moment.

Isaac Hernández is charming and dynamic as The Nutcracker Prince when he meets Clara, and later when he partners Sasha De Sola in the iconic Grand Pas de Deux. De Sola is mesmerising as she takes command of the stage in her virtuosic solos and the elegant duet with Hernández.

Wona Park is the magical Sugar Plum Fairy followed by the energy and precision of the dramatic Spanish dance. A particularly lovely vision with delicate choreography is the Waltzing Flowers, an ensemble of sixteen dancers creating combinations of groups and images in movement that is breathtaking.

This ballet is strongly supported by a team of outstanding creatives who all produce exquisite results that work together so well in Nutcracker:

Scenic Design: Michael Yeargan; Costume Design: Martin Pakledinaz; Projection Design: Wendall K. Harrington; Lighting Design: James F. Ingalls; Projection Design: Wendall K. Harrington.

San Francisco Ballet’s Nutcracker is simply a heart warming and beautiful experience!

More Information and Tickets:

SFBallet.org


Jo Tomalin, Ph.D. reviews Dance & Theatre Performances
More Reviews by Jo Tomalin
TWITTER @JoTomalin
www.forallevents.com  Arts & Travel Reviews

Alyssa Mitchel presents Here Now at San Francisco’s Exploratorium

By Jo Tomalin

Above:

Dancers Aidan O’Leary, Vincent Chavez, Sawako Gannon, Jessica DeFranco, Ashley Burdick, Donivan Harding, Jasper Sanchez and Olivia Holston photographed by Kyle Adler.
November 21, 2021

Choreographer Alyssa Mitchel in partnership with The Exploratorium presented Here. Now. on the spacious plaza outside the museum at Pier 15 San Francisco, 6-14 November 2021. Here. Now. performed six one hour shows on two weekends with Mitchel’s company of ten dancers. These free dance events brought audiences of dance fans, passengers on passing street cars peering out the windows and people passing by – some on their bicycles – to pause and reflect.

They were all drawn by the soundscape and beautiful music of composer Julian Drucker and the vibrant dancers in colorful costumes designed by Jamielyn Duggan, on the picturesque waterfront by the Bay. Here. Now. comprises six sections, with no intermission: Section 1: Loving Kindness; Section 2: Tonglen; Section 3: Noting; Section 4: Four Noble Truths; Section 5: Eightfold Path; Section 6: Body Scan.

The contemporary dance style and Mitchel’s creative choreography, with touches of athletic physicality, ritual, balletic turns and hip hop combine ensemble, duos and a solo, each section with it’s own tone and based on the Buddha’s Teachings. Highlights are – Section 2: Tonglen, a duo with dancers Ismael Acosta and Jessica DeFranco; an outstanding dynamic solo with fast speeds and intricate choreography to spoken word about meditating, thinking, feeling and distraction with dancer Fabiana Santiago in Section 3: Noting; and the final piece danced by the ensemble, which mirrors some formations from the opening section and further explores movement and footwork styles, speed changes and incorporated fast changing complex lines using the entire space of the plaza.

That these two entities would collaborate and present this dance work together is inspiring. The Exploratorium is well known as an imaginative space of science, inquiry, curiosity, community and transformative experiences. Mitchel, a dancer and choreographer has a long time fascination with mathematics and together with a deep interest in exploring mindfulness, meditation and fulfillment.

This is a true melding of art and science! Mitchel began working on Here. Now. during the pandemic and it is appropriate that it is presented outdoors and offered to the public now – not only as an entertainment, but also as a generous and visceral way to bring community together, to reflect and enjoy the live performance.

More Information:

https://alyssaevemitchel.weebly.com/

https://www.exploratorium.edu/

Jo Tomalin

Dance and Theatre Reviewer

www.ForAllEvents.com

Bravo to Cast of RVP’s Picnic-runs Sept. 9-Oct.9

By Flora Lynn Isaacson

Before Ross Valley Players’ 2020-21 season was canceled, Director Adrian Eifenbaum and the actors cast in Picnic, met on Zoom and read William Inge’s play together.  All were surprised at how the story, set in a small town in 1950’s Kansas, still resonates with our world today. The show was postponed, but as the saying goes, all good things come to those who wait.  Picnic finally opened September 9 at the Barn Theatre in Ross. It is the first offering of RVP’s 93rd season and runs Thursdays-Sundays through October 9.

The play revolves around a charismatic drifter, Hal Carter (played by Max Carpenter), who jumps off a freight train to look up his former college pal Alan (Evan Held).  Time has changed Hal. Once a popular college football star, he’s now fallen on hard times. Before he goes to see Alan, Hal meets a local widow, Mrs. Potts (Tamar Cohn), and asks if she has any work. Happy to see a new face, she offers to clean his shirt and give him breakfast in exchange for doing some chores around her yard.

As he goes about his work, Hal’s good looks, muscles and vigor are soon noticed by Mrs. Potts’ neighbors–all women–who are busy getting ready for the town’s annual Labor Day picnic.  Flo (Tori Truss) is the mother of two daughters Millie, the smart one (Lizzy Bies) and Madge, the beautiful one (Dale Leonhart). Flo’s hopes are pinned on Madge marrying Alan for the security his wealthy family can provide. Flo also has a boarder, Rosemary (an “old maid” school teacher played by Valerie Weak), whose boyfriend Howard (Steve Price) arrives later with Alan. Alan is surprised but happy to find Hal in town and invites him to join the group leaving for the picnic.  As the day goes on and the night/morning follows, the characters come to terms with their relationships, disappointments, hopes, dreams and desires. Inge’s plot and dialogue is so well written that it is no surprise he won a Pulitzer Prize for the play.

Choreographer Jannely Calmell and Stage Combat/Intimacy Director Richard Squeri deserve special recognition for the artistry conveyed by the actors’ onstage movements.  The sequences involving fighting, dancing and intimacy were especially good and emotionally moving.

The subtle Set, Lighting and Sound Design (by Tom OBrien, Robin DeLuca and Billie Cox respectively) rightly puts the focus directly on the impressive acting from all of the cast including those in supporting roles–Dalton Ortiz (Bomber), Raysheina de Leon-Ruhs (Christine) and Jen Marte (Irma). Each one of the actors shines bright and the audience is carried away–captivated every moment– thanks to their extraordinary talent!

Coming up next at Ross Valley Players is Gypsy, A Musical Fable, a Mountain Play production, directed by Zoe Swenson-Graham running November 11 to December 18, 2022.

Flora Lynn Isaacson, SFBATCC (with Lori Wood)

 

 

Catch Dunsinane at MTC-through Oct. 16

By Flora Lynn Isaacson

The title of Marin Theatre Company’s current production, Dunsinane, refers to Shakespeare’s Battle of Dunsinane where Macbeth was defeated. The play by David Greig explores what happened in the year following the battle beginning with Spring and ending with Winter.

The show features actors from Tamalpais High School’s Conservatory Theatre Ensemble (CTE). Aldo Billingslea steals the show with his superb acting as Siward. Josh Odess-Rubin is an intriguing Malcolm and Lisa Anne Porter shines as the Queen. Brendan Barger, Daniel Duque-Estrada, Jack Hochschild, Kira Keane, Molly Lyons and Michael Ray Wisely round out the fine cast.

Jasson Minadakis and Rob Lutfy deserve a big round of applause for their superb direction. The lighting is especially interesting (Mike Post) and the costumes (Brooke Jennings) authentic. The fight scenes (Josh Odess-Rubin, Coach) are precise and emotional.

Dunsinane continues through October 16 at Marin Theatre Company. Coming up next at Marin Theatre will be August Wilson’s Two Trains Running, Novemer 25-December 18.

Flora Lynn Isaacson (with Lori Wood)

What Women Want–Oct. 14-23 in Richmond

By Flora Lynn Isaacson

Bravo to the entire production team and cast of What Women Want—a musical comedy presented October 14-23 at the Masquers Playhouse in Richmond. Originally produced in 2016 at Actors Ensemble of Berkeley, this new show is a merry romp (sponsored by the Richmond Arts & Culture Commission) that enthralls the audience from start to finish.

Director Kim Bromley calls the story mix of “silliness, clever music and lyrics along with interesting literary history.” Based on Chaucer’s Canterbury Tales, the cast takes us on a pilgrimage to the Canterbury shrine of Thomas Becket. Writer Vicki Siegel (book and lyrics) says it like “a touch of Spamalot.” Whatever you call it—its just incredible thanks to the talent of Evan Alparone (Composer and Arranger) and Judy Wiesen (Music Director).

Applause to Kim Bromley whose fine direction is evident in the cast’s broad and energetic style of acting. Alexis Lane Jensen is fantastic in the role of the Wife of Bath/Ms. Bromwell, Ron Anderson (Merlin/Chaucer), Christine Sheppard (Lady of the Lake), Pat Barr (Sir Pellinore), Kelly Nicolaisen (Lady Bedivere), David Shirk (especially elegant as King Arthur), Lily Jackson (Guinevere), Steve Beecroft (Sir Gawain), Amy Dietz (Lady Kane/Crone) & Jacinto Castillo (intense as Lord of Manor/Sir Gromer).

Kudos to Jo Lusk for the wonderful costumes, Nancy Benson, Production Manager for bringing it all together, John Hull & Hoa Tran for the charming set and Paul Seliga & Mark Decker for the dramatic lighting.

Coming up next at Masquers Playhouse is the musical, Amelie, by Craig Lucas, Nathan Tysen, Daniel Messe, Jean Pierre Jeunet and Guillaume Laurant—directed by Enrico Banson, November 11-December 4.

Flora Lynn Isaacson (with Lori Wood)

 

Don’t Miss Gypsy-A Musical Fable-Nov. 11-Dec. 18

By Flora Lynn Isaacson

Ross Valley Players and the Mountain Play present the timeless music of Jules Styne and the lyrics of Stephen Sondheim with Gypsy, A Musical Fable running November 11 to December 18 at the Barn Theater in Ross.

The story is suggested by the memoirs Gypsy Rose Lee, a stage mother who is “always plotting and planning her daughter June’s rise to stardom and desperately reaching to feel the spotlight herself,” according to Director/Choreographer Zoe Swenson-Graham. Mama Rose is “blindly ambitious, closed off, and complex” making the role a challenge for any actor. Dyan McBride rises to the occasion with a fine performance. Her command of the stage is immediate and her acting and singing is enchanting. DC Scarpelli is no less charming in the role of Herbie, a former agent who agrees to become the act’s manager/promoter.

Alexandra Fry is cute and funny as the younger Baby June and Julia Ludwig is equally good as the older “Dainty” June. In Act One Baby June and “Her Newsboys” (the real name of the 1920’s traveling vaudeville act) sing and dance their hearts out with hits like “Let Me Entertain You” and “Small World.” Jill Jacobs gives a standout performance as June’s plain sister Louise in Act One. In Act Two she transforms into the burlesque star, Gypsy Rose Lee.

Kudos to the show’s Music Director Jon Gallo and Adriana Gutierrez for her lovely vintage costume designs. Eileen Grady (Mountain Play Association Executive Director & Artistic Producer) and Steve Price (RVP Executive Producer) deserve applause as well for the time and talent they give to this production.

Coming up next at Ross Valley Players is Ross Alternative Works’ production of Reservations, a new play by Joe Barison, directed by Michael R Cohen January 27-February 12, 2023.

Flora Lynn Isaacson (with Lori Wood)

 

“A Few Good Men” by Aaron Sorkin, Presented by Avon Players, Rochester MI

By Greg & Suzanne Angeo

Reviewed by Suzanne Angeo (member, American Theatre Critics Association; Member Emeritus, San Francisco Bay Area Theatre Critics Circle), and Greg Angeo (Member Emeritus, San Francisco Bay Area Theatre Critics Circle)

 

Photos by Bryan Clifford

A Riveting “Few Good Men”

Joe Danz (left), Chris Stepnitz (center) 

 

In a timely move, Avon Players launched their production of “A Few Good Men” on Veterans Day, November 11. This absorbing show will be of special interest to veterans, the military and their families.

Created by fledgling playwright Aaron Sorkin (written on the backs of cocktail napkins while he was tending bar), “A Few Good Men” had its world premiere at the University of Virginia in September 1989. By the time it was first presented on Broadway two months later, Sorkin had already sold the film rights to Hollywood producer David Brown, on the condition that Brown also produce the play on Broadway. It ran for over a year (497 performances), and then the film went into production for a 1992 release. It’s arguable which version was more successful. But who can forget the iconic line “You can’t handle the truth!” bellowed by Jack Nicholson?

Joe Danz, Marie Burchi-Skipinski

Based on actual events, this intense courtroom drama centers on the approaching court martial of two U.S. Marines, Lance Corporal Harold Dawson and PFC Louden Downey, based at Guantanamo Bay, Cuba. They may or may not have been falsely accused of the murder of a fellow platoon member, PFC William Santiago. Lieutenant Commander Jane Galloway, an investigator from the legal division of the Navy, arrives on the base with a suspicion that the two Marines may have actually carried out a “code red” retribution on Santiago, ordered by someone high up in the chain of command. She endures ridicule and sexist comments from the base commander, Colonel Nathan Jessep – and everyone else, it seems.  She asks to defend Dawson and Downey, but to her bewilderment, an inept attorney is assigned to the case instead – Naval officer Lieutenant Daniel Kaffee. He has a reputation for being a flippant misfit (a Navy man who doesn’t like boats?), careless and too willing to accept plea deals. But Kaffee quickly discovers that Galloway may be on to something. He rises to the challenge, and risking redemption or ruin, he and Galloway begin to unravel the threads of a terrifying coverup.

The wordy, complex script reveals a compelling story that commands your full attention. Noteworthy in the cast: Joe Danz as Kaffee, skillfully evolving his character from a smart-aleck to a committed investigator; Matt Druminski in a vivid, emotional performance as the super-patriot Dawson; Marie Burchi-Skipinski as the doggedly determined Galloway; and Chris Stepnitz as Jessep, who has an especially intense stage presence.

Marie Burchi-Skipinski, Chris Stepnitz, Joe Danz

The simple set evokes a courtroom or a command office. Excellent lighting by Nick Frederick enhances the dramatic effect, putting some characters in shadow to drive the story. In Patrick Daniels’ directorial debut, there are good choices that utilize the space and movements of the actors, like making scene changes with lighting only (Example: Danz, as Kaffee, walks briskly across the stage as the lights change and – presto! – he seamlessly walks into a different office). There are impressive effects using silhouettes and voices of offstage actors in cadence calls between scenes. But some characters could be more clearly defined to help make the story easier to follow. And there was a certain lack of military uniformity and discipline in some actors’ portrayals. Some uneven performances allow the energy to sag a bit in places, but dramatic tension builds relentlessly throughout the show nonetheless.

Checking out “A Few Good Men” at Avon Players is a good way to celebrate our military, and enjoy a captivating story of conspiracy and the code of honor.

 

Matt Druminski, Kyle Kiesler, Jacob Rayl

Now through November 26, 2022

Tickets $25

Avon Playhouse

1185 Washington Rd

Rochester, MI 48306

(248) 608-9077

 www.avonplayers.org

Little Shop of Horrors at Meadow Brook Theater, Rochester Hills MI

By Greg & Suzanne Angeo

 

Reviewed by Suzanne Angeo (member, American Theatre Critics Association; Member Emeritus, San Francisco Bay Area Theatre Critics Circle), and Greg Angeo (Member Emeritus, San Francisco Bay Area Theatre Critics Circle)

 

Photos courtesy of Sean Carter Photography

Katie Kujala, Antonio Vettraino, Chip DuFord

 

A Man-Eating Plant With Plans

To kick off their 56th season (and just in time for Halloween), Meadow Brook presents the grisly, goofy comic book of a musical called “Little Shop of Horrors”. Sometimes raunchy, always irresistable, “Little Shop” became a cult favorite when it opened off-Broadway in 1982, running for five years. Based on Roger Corman’s 1960 noir-ish film of the same name, it was adapted for the stage into a big, raucous musical and garnered numerous awards, due in large part to the catchy songs by Howard Ashman and Alan Menken, who drew heavily from early Motown, Doo-Wop, Rhythm and Blues, and pop ballads.

The time and place: The early 1960s, the 21st of September, on Skid Row. Down-on-his-luck flower shop owner Mr Mushnik (MBT veteran Chip DuFord) and his shy, nerdy assistant Seymour (recent matinee understudy Antonio Vettraino) see a sudden turn of fortune after Seymour buys an odd little plant from an old Chinese man one day during an eclipse. When he brings it back to the shop, his new discovery turns out to be an alien with an appetite for human blood and plans of – you guessed it – world conquest! The plant, who Seymour names “Audrey II”, keeps bellowing “Feed Me!” in a gutsy contralto. Seymour ends up making a Faustian bargain with his greedy friend. The human race is under threat. Sounds like fun, yes?

Sade Crosby, Meka King, Destyni Williams

Seymour’s secret, unrequited crush is fellow employee Audrey (Katy Kujala), a girl with self-esteem issues and a weakness for bad boys. She talks fondly of her “semi-sadist” motorcycle-riding dentist boyfriend Orin (Dan Fenaughty). He keeps her happy with handcuffs and black eyes.

DuFord and Vettraino are a great team, especially in their tango number “Mushnik and Son”. Kujala and Vettraino have some wonderful duets, like “Suddenly Seymour”, where Vettraino’s fine voice is showcased. Kujala really shines as a singer in the lovely ballad “Somewhere That’s Green”. Her longing to escape Skid Row to a Donna Reed world of tidy houses and domestic bliss is incredibly touching. But the real show-stopper has to be Fenaughty, when he makes his first appearance onstage with his number “Dentist!”. He’s a quirky combination of Elvis and the Marquis de Sade, with groovy moves and a superb voice.

Sade Crosby, Meka King and Destyni Williams as Ronette, Crystal and Chiffon form a sort of girl-group Greek chorus, appearing at just the right times to offer sympathy, guidance and fabulous vocals. They help establish the downtrodden locale, where the residents of Skid Row seem to have given up on happiness. Director Travis Walter says it best: “We may not all be stuck in a rut in Skid Row, but everyone has aspirations and desires that are just out of reach. These characters give us something to root for, and as campy and funny as the show might be, at its center it has an abundance of heart.”

In most productions, the fiendish plant is usually voiced by a male singer, but in an interesting twist, MBT’s version is performed by a lady who can really belt ‘em out – Tamara Della Anderson. She gives powerful voice to Audrey II, gliding effortlessly between bluesy tunes and rock’n’roll. Not to be forgotten: the man behind the plant, puppeteer Tyler Bolda, who must have fantastic vibes in his arms and legs!

Little Shop Cast

The five-piece band sounds much larger than it is, directed by Zachary Ryan. The versatile flower shop set by Jen Price Fick is perfect for the time and place, and converts to street scenes, dentist office and other locations with a simple curtain.

Walter’s many creative choices keep the show’s pacing lively, with relentless energy that keeps the audience fully engaged. Whether you’re a fan of sci-fi, campy horror or just great music, this show is sure to please!

 

Now through October 30, 2022

Tickets $37 to $46

Meadow Brook Theatre at Wilson Hall

Oakland University

378 Meadow Brook Rd

Rochester Hills, MI 48309

(248) 377-3300

www.mbtheatre.com

A special note: As Covid-19 is a constantly changing situation, MBT will be monitoring and adhering to the guidance given by the CDC, the State of Michigan, the Actor’s Equity Association, and Oakland University. Check the Meadow Brook Theatre website at www.mbtheatre.com for the latest information on efforts to keep everyone safe.

This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States. The theater operates under the agreement with the International Alliance of Theatre Stage employees, Local 38.

Meadow Brook Theatre’s season is supported in part by the Michigan Council for Arts and Cultural Affairs, the National Endowment for the Arts, the Kresge Foundation, the Fred and Barbara Erb Family Foundation, the Shubert Foundation and the Meadow Brook Theatre Guild.