Summertime! Superb Performance June 10, 2024

Attending the “Summertime!” performance on Thursday evening, June 10, 2024, was a delightful experience that vividly encapsulated the joys and nostalgia of summer. The Transcendence Theatre Company’s production, set against the serene backdrop of Sonoma’s starry skies at the Field of Dreams, offered a captivating blend of music, dance, and storytelling that resonated deeply with the audience.

Creative and Technical Brilliance

The creative minds behind this show—Tony Gonzalez (Co-Conceiver/Director/Associate Choreographer), Monica Kapoor (Co-Conceiver/Choreographer/Associate Director), and Matt Smart (Co-Conceiver/Music Director/Keys)—crafted a remarkable performance that transported us through the quintessential experiences of summer. From the exuberant “Summertime Vibes” opening medley to the poignant “Heart Explosion Medley” finale, the production was a seamless journey through the essence of the season.

The musical direction by Matt Smart, supported by a talented band comprising Caitlyn Bogart (Keys/Vocals), Juan Carreon (Drums), Isaac Carter (Guitar), Rosamund Hencinski (Keys), Randell Lee (Reeds), and Brad Maestas (Bass), was exceptional. The diverse song selection, featuring hits like “One Love,” “Red, Red Wine,” and “Rewrite The Stars,” kept the audience enthralled, their enthusiasm palpable in every note and rhythm.

Stellar Performances

The cast delivered performances brimming with energy and charisma. Allyson Carr, Mia Gerachis, Shiloh Goodin, Jesse Jones, Aaron Lavigne, Usman Ali Mughal, Sharone Sayegh, Michael Schimmele, and Andy Saehan Shin brought a dynamic and heartfelt presence to the stage. Their collective talent and synergy created moments of both high energy and deep emotion, captivating the audience from start to finish.

Outstanding Production Elements

Jeffrey Porter’s lighting design and Wes Shippee’s sound design/engineering significantly enhanced the overall ambiance, perfectly complementing the vibrant performances on stage. Melinda Hare’s costume coordination was visually striking, adding another layer of vibrancy to the production.

The stage management, led by Sarah E. T. Jackson and supported by Karen Webb and August Volz, ensured the show ran smoothly, while the behind-the-scenes efforts of interns and apprentices contributed greatly to the production’s success.

A Heartfelt Tribute to Summer

In his director’s note, Tony Gonzalez beautifully articulated how “Summertime!” reflects the simple joys and unique beauty of Sonoma County. This sentiment was evident throughout the evening, as the audience was immersed in the nostalgic and joyful moments of summer adventures, from family vacations to carefree days under the sun.

A Major Venue Change

This performance marked a significant change in venue for the Transcendence Theatre Company. For the first time, the show was held at the Field of Dreams, located just next to Sonoma Square, making it more accessible and adding a new layer of charm to the experience. The transition from the winery ruins at Jack London State Historic Park to this new location has been met with enthusiasm, proving that the magic of the production transcends its setting.

Visual Highlights

The June 21 performance was particularly noteworthy, with vibrant costumes and dynamic choreography bringing the stage to life. The photos from the event capture the energy and enthusiasm of the cast, as well as the beautiful outdoor setting that made the evening truly special. The backdrop of the open field, framed by the setting sun, created a picturesque environment that enhanced the overall experience.

 

The show was divided into two acts:

• Act One included medleys like “Summertime Vibes” and segments such as “SONOMOSAIC” with songs like “Colors of the Wind” and “One Love.”
• Act Two featured segments like “FIELDS OF FRUIT” with “Be Our Guest” and “Red, Red Wine,” and concluded with the “Heart Explosion Medley.”

G0 See

“Summertime!” by the Transcendence Theatre Company is a vibrant celebration of the season, filled with heartwarming performances and exceptional production quality. It is a must-see production that leaves the audience with a sense of warmth and joy, a true testament to the remarkable talent and creativity of everyone involved.

A Memorable Recital

Attending the Ensemble for These Times’ (E4TT) “Émigrés & Exiles in Hollywood” recital on Saturday, June 15 was both enjoyable and memorable. The performance highlighted the cultural contributions of émigré and exile composers in Hollywood, providing a fascinating glimpse into their musical legacies.

The program featured works by composers who fled Europe during the early 20th century and settled in Hollywood. E4TT’s selection of pieces was both thoughtful and engaging, offering the audience a mix of well-known and lesser-known compositions.

Chelsea Hollow (coloratura soprano), Margaret Halbig (piano), and Abigail Monroe (cello) delivered solid performances. Hollow’s vocal delivery was expressive, Halbig’s piano accompaniment was precise and supportive, and Monroe’s cello playing added a rich, resonant layer to the ensemble, enhancing the overall texture and emotional depth of the performance.

Chelsea Hollow

Chelsea is known for her “soaring high range” and versatile voice, having premiered new works including Jake Heggie’s “Here/After” and pieces by other contemporary composers. Her dynamic performances have captivated audiences, earning her recognition and accolades in multiple languages and genres​ (SFCV)​.

Margaret Halbig

Margaret is a highly sought-after collaborative pianist and coach. She is a faculty member at the San Francisco Conservatory of Music and has performed extensively in chamber music and contemporary classical settings. Halbig’s refined technique and interpretive skills make her a valuable asset to E4TT​ (SFCV)​.

Abigail Monroe

Abigail is an accomplished cellist and Social Media Assistant for Ensemble for These Times. She holds a Bachelor’s degree from the San Francisco Conservatory of Music and has performed extensively as a soloist, chamber musician, and with large ensembles. As winner of the Jackie McGehee Young Artists Competition in 2019, she was also featured as a cello soloist performing Elgar’s Cello Concerto with the New Mexico Philharmonic​ (SFCV)​​(Ensemble for These Times)​.

The evening program included:

• Erich Wolfgang Korngold (1897-1957)
  • Serenade (1910) (Cello/Piano)
  • Tanzlied des Pierrot (1919)
• Kurt Weill (1950-59)
  • Nanna’s Lied (1939) (Soprano/Piano)
  • Youkali (1935) (Soprano/Piano)
• Miklós Rózsa (1907-1995)
  • Kaleidoscope (1946)
    1. March
    2. Hirten Melodie (Piano)
• Eric Zeisl (1905-1959)
  • November (1937-38)
• Eugene Zádor (1894-1977)
  • Romance (1921) (Cello/Piano)
  • Bagatellen en Jazz (1933) (Piano)
• Arnold Schoenberg (1871-1951)
  • Brettl Lieder (1901) (Soprano/Piano)
    1. Galathea
    2. Gigerlette
    3. Der genügsame Liebhaber
    4. Einfältiges Lied
    5. Mahnung
    6. Jedem das Seine
    7. Langsamer Walzer

Notable pieces included those by Erich Wolfgang Korngold and Arnold Schoenberg. Korngold’s rich harmonies and Schoenberg’s distinctive atonal style were performed with sensitivity and attention to detail, highlighting the unique contributions of each composer.

The performance also included brief commentary that provided context for the music, enhancing the audience’s understanding and appreciation of the works. This added a valuable educational dimension to the recital.

For those who missed the live performance, a recording of the concert is available on YouTube, providing an opportunity to experience the exceptional artistry and historical significance of the program.

Overall, the Ensemble for These Times’ “Émigrés & Exiles in Hollywood” recital was a fitting tribute to the resilience and creativity of these composers. It was an evening of noteworthy music that honored their artistic contributions and offered a compelling musical experience. E4TT’s dedication to preserving and performing these works is commendable, and I look forward to their future programs.

For more details and to view the ensemble’s upcoming events, visit their official website​ (Ensemble for These Times)​​(Ensemble for These Times)​​ (Ensemble for These Times)​.

Hilarious Farce “Lend Me a Tenor” Delights at Sonoma Arts Live

Sonoma Arts Live once again shows its ability to deliver top-notch theater with its latest production, Ken Ludwig’s “Lend Me a Tenor”. Running from June 6 – 16, 2024, at the Rotary Stage in Andrews Hall, this comedy is a must-see for theater lovers seeking an evening of laughter and entertainment.

Set in 1934, “Lend Me a Tenor” plunges audiences into the chaotic world of the Cleveland Grand Opera Company on the eve of a crucial performance. The story unfolds with the sudden incapacitation of the great Tito Merelli, a world-renowned tenor played brilliantly by Michael Cory Murdoch, who was expected to revive his iconic role in “Pagliacci”. The ensuing mayhem, driven by an ensemble cast of vividly portrayed characters, is a rollercoaster of hilarity and high-energy antics.

The plot in a nutshell

Director Larry Williams, acclaimed for his previous work on “The 39 Steps”, once again demonstrates his exceptional ability to navigate the complex demands of farce. His direction ensures the fast-paced, door-slamming action never misses a beat. John Browning’s portrayal of Saunders, the harried General Manager, and Robert Nelson’s endearing performance as Max, his beleaguered assistant, anchor the production with impeccable comedic timing.

Katie Kelley shines as Max’s girlfriend, Maggie, bringing a charming mix of innocence and enthusiasm to the role. The fiery dynamic between Tito Merelli and his wife Maria, portrayed with gusto by Tika Moon, adds another layer of comic brilliance. The supporting cast, including Kim Williams as the flirtatious Julia, Tara Roberts as the ambitious Diana, and Kevin Allen as the beleaguered bellhop, round out a superb ensemble that keeps the audience in stitches.

Opening night was made even more special by a delightful reception featuring local opera singers, whose performances of several pieces set the perfect tone for the evening.

Sonoma Arts Live has crafted an evening that combines technical excellence, a stellar cast, and side-splitting humor. This production is a testament to the great work being done by this community-based theater company, showcasing its dedication to bringing high-quality, entertaining performances to the local community. “Lend Me a Tenor” is a theatrical gem that provides a fun-filled and enjoyable night at the theater.

For ticket information, visit sonomaartslive.org.

A Brilliant Satirical Look Behind the Curtain of American Theater

Shotgun Players’ latest production, “Best Available,” offers an incisive and darkly humorous exploration of the complex interplay between capitalism and the non-profit model of American theater. Written by the brilliant Jonathan Spector and directed by the innovative Jon Tracy, this play is a must-see for anyone who loves theater and enjoys thought-provoking narratives.

“Best Available” centers around Maya, a former Associate Artistic Director, who is reluctantly convinced to return to her old theater to bring about much-needed change. The story exposes the often-hidden power dynamics and challenges within the theater world, making it both a compelling and relatable experience. As the plot unfolds, we witness Maya’s journey through the political minefield of theater management, filled with witty dialogue and sharp social commentary.

The cast delivers outstanding performances, with each actor bringing depth and nuance to their roles. Sarah Mitchell, Regina Morones, Denise Tyrrell, linda maria girón, Austine De Los Santos, Storm White, Steve Price, and Dave Maier create a dynamic ensemble that captivates the audience from start to finish. Their portrayal of the various stakeholders within the theater industry is both realistic and engaging, highlighting the diverse perspectives and tensions that exist behind the scenes.

One particularly clever aspect of this production is the rotating stage, which adds a dynamic and visually engaging element to the performance. This innovative staging not only enhances the visual appeal but also symbolizes the constantly shifting power dynamics and perspectives within the theater world. The rotating stage keeps the audience on their toes, reflecting the ever-changing landscape of the narrative.

Jon Tracy’s direction is impeccable, seamlessly blending humor and drama to create a production that is as entertaining as it is thought-provoking. The set design by Nina Ball, along with Ben Euphrat’s video projections and sound design, enhances the immersive experience, making “Best Available” a visual and auditory delight.

One of the standout features of this production is its ability to provoke reflection on the broader implications of its narrative. The play’s exploration of the question “Who owns the theater?” resonates deeply, encouraging the audience to consider the roles and responsibilities of various stakeholders in the arts. This is a play for anyone who loves theater, even as they may feel conflicted about the industry’s inner workings.

Shotgun Players’ commitment to accessibility is also commendable. With initiatives like pay-what-you-can previews, community tickets, and performances tailored for blind and low-vision patrons, they ensure that this important work is accessible to a wide audience.

“Best Available” is a triumph, offering a powerful and thought-provoking theatrical experience. Shotgun Players have once again proven why they are a cornerstone of the Bay Area theater community. I highly recommend this production to anyone seeking a brilliant and insightful exploration of the American theater industry.

Steve Budd at The Marsh Berkeley

I had the delight of attending Steve Budd’s latest solo performance, “Seeing Stars,” at The Marsh Berkeley, and it was an exceptional experience that I wholeheartedly recommend. Running from June 1 to July 13, 2024, this 60-minute show airs every Saturday at 5 pm and engages the audience from start to finish.

Heartfelt and Hilarious

From the moment Steve Budd stepped onto the stage, I was drawn into the world of his 31-year-old self, who finds himself moving back in with his parents. The story takes an unexpected turn as Steve’s gruff and distant father undergoes a surprising transformation, leading to a rollercoaster of emotions and unexpected twists. The performance starts slowly but comes alive with this telling. Budd’s impeccable storytelling and comedic timing made the exploration of such serious themes both heartfelt and hilarious.

Masterful Performance

Budd’s performance was nothing short of masterful. His ability to switch between characters seamlessly and his authentic portrayal of complex emotions kept me engaged and deeply invested in the story. It’s clear that his background as an award-winning solo performer shines through in “Seeing Stars,” a true testament to his talent and dedication to the craft.

Directed by Mark Kenward

The direction by Mark Kenward ensured a smooth and captivating narrative flow. Kenward’s experience and insight into solo performances were evident in the way he guided Budd, allowing his natural charisma and storytelling prowess to take center stage. I also appreciated the work of stage manager Aaron Aguilar, who ensured every aspect of the performance ran flawlessly.

About Steve Budd

For those unfamiliar with Steve Budd, he is an actor, writer, and storyteller based in Oakland, California. With a rich training background from The Marsh and The Groundlings in L.A., Budd brings a wealth of experience to the stage. His previous solo show, “What They Said About Love,” was a huge success, running for three months at The Marsh in 2018 and earning a spot as one of Theatre Bay Area’s Top 5 Solo Shows.

Engage with The Marsh

If you’re looking to engage more with The Marsh Berkeley and Steve Budd’s work, follow them on social media:

• Facebook
• Instagram
• Twitter

For more information and tickets, visit The Marsh’s website.

Conclusion

“Seeing Stars” is a must-see show that combines humor, heart, and a deep exploration of familial relationships. Steve Budd’s performance is a masterclass in solo storytelling, making this a standout production at The Marsh Berkeley. Don’t miss your chance to experience this remarkable ride through the highs and lows of family life.