A Brilliant Satirical Look Behind the Curtain of American Theater
Shotgun Players’ latest production, “Best Available,” offers an incisive and darkly humorous exploration of the complex interplay between capitalism and the non-profit model of American theater. Written by the brilliant Jonathan Spector and directed by the innovative Jon Tracy, this play is a must-see for anyone who loves theater and enjoys thought-provoking narratives.
“Best Available” centers around Maya, a former Associate Artistic Director, who is reluctantly convinced to return to her old theater to bring about much-needed change. The story exposes the often-hidden power dynamics and challenges within the theater world, making it both a compelling and relatable experience. As the plot unfolds, we witness Maya’s journey through the political minefield of theater management, filled with witty dialogue and sharp social commentary.
The cast delivers outstanding performances, with each actor bringing depth and nuance to their roles. Sarah Mitchell, Regina Morones, Denise Tyrrell, linda maria girón, Austine De Los Santos, Storm White, Steve Price, and Dave Maier create a dynamic ensemble that captivates the audience from start to finish. Their portrayal of the various stakeholders within the theater industry is both realistic and engaging, highlighting the diverse perspectives and tensions that exist behind the scenes.
One particularly clever aspect of this production is the rotating stage, which adds a dynamic and visually engaging element to the performance. This innovative staging not only enhances the visual appeal but also symbolizes the constantly shifting power dynamics and perspectives within the theater world. The rotating stage keeps the audience on their toes, reflecting the ever-changing landscape of the narrative.
Jon Tracy’s direction is impeccable, seamlessly blending humor and drama to create a production that is as entertaining as it is thought-provoking. The set design by Nina Ball, along with Ben Euphrat’s video projections and sound design, enhances the immersive experience, making “Best Available” a visual and auditory delight.
One of the standout features of this production is its ability to provoke reflection on the broader implications of its narrative. The play’s exploration of the question “Who owns the theater?” resonates deeply, encouraging the audience to consider the roles and responsibilities of various stakeholders in the arts. This is a play for anyone who loves theater, even as they may feel conflicted about the industry’s inner workings.
Shotgun Players’ commitment to accessibility is also commendable. With initiatives like pay-what-you-can previews, community tickets, and performances tailored for blind and low-vision patrons, they ensure that this important work is accessible to a wide audience.
“Best Available” is a triumph, offering a powerful and thought-provoking theatrical experience. Shotgun Players have once again proven why they are a cornerstone of the Bay Area theater community. I highly recommend this production to anyone seeking a brilliant and insightful exploration of the American theater industry.
