{"id":20715,"date":"2015-08-12T01:55:57","date_gmt":"2015-08-12T08:55:57","guid":{"rendered":"https:\/\/forallevents.com\/reviews\/?p=20715"},"modified":"2015-08-14T09:14:01","modified_gmt":"2015-08-14T16:14:01","slug":"antigone-binoche-van-hove-at-edinburgh-international-festival","status":"publish","type":"post","link":"https:\/\/forallevents.com\/reviews\/antigone-binoche-van-hove-at-edinburgh-international-festival\/","title":{"rendered":"Antigone – Binoche & Van Hove at Edinburgh International Festival"},"content":{"rendered":"
above: Antigone Patrick O’Kane + Samuel Edward-Cook\u00a0 Photo credit: Jan Versweyveld<\/h6>\n
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Juliette Binoche as Antigone Photo \u00a9 Jan Versweyveld
Edinburgh International Festival 2015Sat 8 \u2013 Sat 22 Aug 7.30pm (except Mon 10 & Mon 17 Aug); Sat 15 & Sat 22 Aug 2.30pm; Preview Fri 7 Aug 7.30pm
King\u2019s Theatre
eif.co.uk\/Antigone
+44 (0)131 473 2000 <\/p><\/p><\/div>\n

Highly Recommended<\/h3>\n

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Ivo van Hove’s Antigone<\/h2>\n

Ivo van Hove directs Antigone,<\/em> currently on tour at the 2015 Edinburgh International Festival from 12 to 22 August at the King\u2019s Theatre. Antigone<\/em> is headlined by the acclaimed actor Juliette Binoche, with an excellent cast.<\/p>\n

Antigone\u2019s brother Polyneikes has been killed but Kreon says he was a traitor, therefore, refuses him a proper burial. In this play Antigone makes her case to Kreon to bury her brother.<\/p>\n

Sophocles wrote the original version of the play which has been translated for van Hove by Anne Carson. Van Hove has been widely acclaimed for his unusual but stark powerful choices in his recent directing on Arthur Miller\u2019s A View from the Bridge<\/em>. Antigone\u2019s <\/em>set and lighting design by Jan Versweyveld is stark and streamlined in it\u2019s all black set, a wide stage with a raised platform, and a lower area resembling a slick city flat with built in sofa and table. On the back wall there is a huge disk, which changes in significance during the play.<\/p>\n

As soon as the play starts there is a deliberateness in the pacing of the spoken text. The language, updated by Carson, is spoken in a restrained and pointed \u2018unpresentational\u2019 and unemotional way that takes a bit of getting used to at first. The addition of body microphones on most of the actors means it is possible to speak softly with nuances and still be heard very clearly. This allows the actors, the excellent Patrick O\u2019Kane\u2019s Kreon in particular, to sound like he is thinking about what he is saying as he talks to his fellow characters – and not \u2018proclaiming\u2019 or projecting his speeches. His scenes are very effective and there is a combustible tension when he realizes that Antigone washed her brother.<\/p>\n

The five-person Chorus is fascinating – each actor in the Chorus doubles up as another character: Obi Abili is also a Guard, Kirsty Bushnell also Ismene, Samuel Edward-Cook is Haimon, Finbar Lynch plays Teiresias and Kathryn Pogson plays Eurydike. These characters stay on stage a lot of the time, and transition effortlessly from the Chorus – hanging out in the living room – to their second character. They each distinguish themselves as both characters, particularly Abili\u2019s matter of fact contemporary take as the Guard, which added humour, planned or not.<\/p>\n

Juliette Binoche\u2019s Antigone is fresh, raw, determined and na\u00efve, believing that it is her brother\u2019s right to an honourable burial and she fights for it. Binoche and O\u2019Kane\u2019s scene where Antigone tells Kreon that she did right by her brother is authentic, bringing out \u00a0Kreon\u2019s paternal side. Bushnell\u2019s intervention in this family crisis as Ismene, fighting with Kreon for her sister, Antigone\u2019s life is a high point for these actors.<\/p>\n

Modern costumes by An d\u2019Huys comprising black or dark textured overcoats, suits and Binoche\u2019s two piece trouser and short sleeved top add to the production\u2019s contemporary feel. Video projections of street scenes and others by Tai Yarden play intermittently throughout the play with chilling images near the end.<\/p>\n

This is a new take on Antigone<\/em> which is very interesting and quite effective. The pacing lets the audience in to listen, reflect and appreciate the language and situation.<\/p>\n

Tickets and More Information:<\/p>\n