Ross Valley Players are producing Tennessee Williams\u2019 \u201cNight of the Iguana\u201d in tribute to the playwright\u2019s 100th birthday last year. Williams\u2019 last visit to The Barn was in 1979 for \u201cThe Glass Menagerie,\u201d his first big success. That play won him a Pulitzer. He was thirty-four then.
\nTwo years later, he came up with \u201cStreetcar Named Desire\u201d and then, when he was forty-four, \u201cCat on a Hot Tin Roof\u201d and another Pulitzer. \u201cNight of the Iguana\u201d was produced in 1961, when the playwright was fifty. A number of significant changes had happened in his life by then.<\/p>\n
By the \u201860s, Tennessee Williams had come to terms with his own homosexuality and had formed a long partnership with Frank Merlo. He had not overcome his alcoholism, however, and had also developed an increasing dependence on prescription drugs. Merlo developed lung cancer and died in 1963. By the end of the decade, Williams\u2019 brother had him hospitalized for his addictions.
\n\u201cNight of the Iguana,\u201d reaches back to a 1940 trip to Acapulco in which young Williams bonded with another writer who was also in desperate condition. The notes he took then formed the basis of a short story that eventually became the play.<\/p>\n
This work isn\u2019t set in the south, but in Mexico, in the fictional Puerto Barrio. All its characters are troubled. The Rev. Lawrence Shannon is trying to restore himself in the church, maintain sobriety and fend off the advances of Maxine, the innkeeper. Increasingly slovenly, Maxine satisfies her lust with her Mexican houseboys and then complains that they lack discipline.<\/p>\n
Prim, ladylike Hannah arrives pushing her grandfather\u2019s wheelchair. Her life is devoted to his needs. \u201cNonno\u201d is a poet, as was Williams, but he\u2019s almost ninety-eight now. They scratch out a bare existence selling Nonno\u2019s poems and Hannah\u2019s sketches of tourists.<\/p>\n
Outside the hotel, honking loudly for attention, is a busload of Baptist female tourists, demanding the comfortable accommodation that Shannon, their tour leader, had promised. One of the women, Charlotte, is only sixteen, and she\u2019s already had an affair with Shannon, for which she expects him to marry her. Charlotte\u2019s chaperone, Miss Fellowes (Sandi Rubay) rages continually and vows reprisals. Further, a big storm is brewing, and a captured iguana, which \u201ctastes like Texas chicken,\u201d is scuffling around below.<\/p>\n
Even Tennessee Williams cannot resolve this situation satisfactorily. The play\u2019s ending forecasts itself a long way off.<\/p>\n
As Lawrence Shannon, Eric Burke is onstage almost all the time and has an exhausting load of script. We want to like Rev. Shannon, but he makes this impossible when he defends his seduction of Charlotte with, \u201cshe asked for it.\u201d Maxine (Cat Bish) copes with isolation by being overly upbeat and sloppy, while Hannah (Kristine Ann Lowry,) fits Shannon\u2019s description of her as \u201ca thin, standing-up female Buddha.\u201d<\/p>\n
Nonno (Wood Lockhart) seems to dodder more when he wants attention. He recites his poems in a strong voice, especially the epic he\u2019s been working on. Young Charlotte (Kushi Beauchamp) escapes Miss Fellowes long enough to beg Shannon to let her help him.<\/p>\n
Jake Latta, the substitute tour guide, is played by Mark Toepfer, Hank, the bus driver, by Richard Kerrigan, and Maxine\u2019s two houseboys by Eric Sadler and Noah Benet.
\n\u201cNight of the Iguana,\u201d directed by Cris Cassell, will be at The Barn Theatre in the Marin Art & Garden Center, Ross, Thursdays through Sundays until June 17. Thursday performances are at 7:30 p.m., Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m.
\nTicket prices range from $17 to $25. An audience \u201ctalk back\u201d with the actors and director will be offered after the matinees on May 27 and June 10.<\/p>\n