By Judy Richter
You don’t need a lucky roll of the dice to come out a winner at Broadway By the Bay’s production of “Guys and Dolls.”
Even though this musical has been around since its Broadway premiere in 1950, it remains fresh and vibrant in the creative hands of the versatile Molly Bell, who directs and choreographs this show.
With a book by Jo Swerling and Abe Burrows based on short stories by Damon Runyon, “Guys and Dolls” features two contrasting love stories set in New York City in the late 1940s.
The first couple is comprised of gambler Nathan Detroit (David Mister), proprietor of the “oldest, established, permanent floating, crap game in New York,” and Miss Adelaide (Mary Kalita), the featured singer-dancer at the Hot Box night club. Even though she doesn’t approve of gambling, they’ve been engaged for 14 years.
The other couple has just met. She is Sarah Brown (Kelly Britt), an earnest missionary at the Save-A-Soul Mission. He is Sky Masterson (Jack Mosbacher), a footloose but successful gambler who will bet on almost anything.
Needing $1,000 for a place for his crap game, Nathan bets Sky that he can’t convince Sarah to go toHavana with him. Nathan loses the bet, and of course Sky and Sarah are smitten until Sarah finds out about the bet.
Bets influence other plot elements, but all turns out well in the end. In the meantime, the audience is treated to a string of Frank Loesser’s hit songs. Some of them include the title song along with “I’ll Know,” “If I Were a Bell,” “A Bushel and a Peck,” “Luck Be a Lady” and “Sit Down, You’re Rockin’ the Boat.”
The opening number, “Fugue for Tinhorns,” might not be as familiar, but it’s a hit as staged by Bell and sung by three of Nathan’s gambling buddies: Nicely-Nicely Johnson (Alex Rodriguez), Benny Southstreet (Adam Cotugno) and Rusty Charlie (Ryan Mardesich).
All four lead actors are highly appealing, especially Mister as the often flustered Nathan and Mosbacher as the determined Sky. Like the two men, Britt is a good singer. Kalita is a terrific dancer, but the character’s dumb blond persona and fast-talking, heavyNew York accent are detracting factors.
Among the supporting actors, Rodriguez, an accomplished dancer, is outstanding as Nicely-Nicely. He helps to lead the way in Bell’s inventive choreography.
Musical director Dolores Duran-Cefalu’s orchestra got off to a shaky start on opening night but redeemed itself thereafter. She also does a fine job of shaping the ensemble singing, especially the men in “”The Oldest Established.”
Margaret Toomey’s set is simple and flexible, enabling quick scene changes, and many of her costumes, especially for the Hot Box Girls, are colorfully creative. Jon Hayward’s sound design is effective except for an opening night glitch that silenced Sarah’s microphone in her “Marry the Man Today” scene with Adelaide.
Thanks in large part to Bell and a stellar cast, this is one of BBB’s most successful outings in recent memory.
“Guys and Dolls” will continue at the Fox Theatre, 2215 Broadway St., Redwood City, through Nov. 17. For tickets and information, call (650) 579-5565 or visit www.broadwaybythebay.org.
