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Joe Cillo

Inspecting Carol Ideal Holiday Treat for NTC

By Flora Lynn Isaacson

Novato Theater Company just opened on November 29th with Daniel Sullivan and Seattle Rep’s madcap comedy Inspecting Carol, a backstage spoof of Charles Dickens’ A Christmas Carol. This play is about a small professional theatre company in a mid-size city of the Mid-West. The company strives to maintain funding, even as they suffer financial cuts. They learn that they will be inspected in order to receive a grant. As more and more things go wrong, the company tries to deal with each other while getting through the show.

According to Director James Nelson, “Inspecting Carol takes us backstage at the Soapbox Playhouse, a theatre once ripe with inspiration and alive with creative spirit. Years later, as the company works to churn out another Annual Christmas Carol, we see only remnants and distant reminders of the inspiration that once filled this house.”

Nelson is aware of the serious undertones of this delightful comedy. He directs his talented ensemble of 12 actors with a firm hand. He shows us how these dark undertones give substance and weight to the humor.

Act 1 deals with the rehearsal of A Christmas Carol. Act 2 shows us the actual performance, which is an extraordinary mix of anything that could go wrong at the worst possible time in front of the inspector who could give them a grant.

There are so many outstanding performances. First-place honors go to Nan Ayers, as the Stage Manager who runs the show and who also plays Martha Cratchet in the show within a show. Matt Farrell plays Wayne, the wannabe actor mistaken for the inspector. The company lets him make terrible changes because they think they will get money from the changes. Next up, Zorah Bloch is played by Maxine Sattizahn, excellent as an insane Lithuanian director. She is always very emotional. Rayan Dridi plays Luther, a very cute little boy too big to play Tiny Tim. He leaves halfway after Act 1 because he has booked a TV show. Shirley Nilsen Hall is fabulous as Dorothy, the British dialect coach who also plays Emily Cratchet. Her exercise with the lemon steals the show. Shirley’s husband well-known local director Norman A. Hall plays Sidney, who plays the ghost of Jacob Marley and Fezziwig. Jeffrey Orth plays Bob Cratchet. He is in love with Zorah due to their one-night stand. Milt Jordan, Jr., plays Walter, the company’s first black actor. He doesn’t know any of his lines. He plays all three ghosts and also steals the show with his dumb show facial expressions. David Shirk plays Kevin the company’s Financial Director. He is a nervous eater and tries to suck up to the inspector as much as possible. Chuck isen is Larry, a middle-aged man whose wife left him. He is the one who plays Scrooge. He buries all his emotions and, instead, acts out by trying to put “social justice” in the show. Tim Clover plays Bart, the guy who plays all the other males roles in the show. Last but not least is Shari Clover who plays Betty Andrews, the inspector. She watches Act 2 from on-stage, and her performance gives us a surprise ending.

All of the characters are well-rounded and wonderfully real – in their roles as far- from-perfect- actors with real personalities. Be sure not to miss Inspecting Carol for a fun-filled holiday treat.

Inspecting Carol will run from November 29 through December 21, 2014. All performances will be held at the NTC Playhouse, 5420 Nave Dr., Novato. Performances will take place at 8 p.m. on Fridays and Saturdays, with Sunday matinees at 2 p.m. For tickets, call 415-883-4498 or go online to www.novatotheatercompany.org.

Coming up next at NTC will be The Bat by Mary Roberts Rinehart and Avery Hopwood from February 6th though March 1st, 2015.

VIEW FROM ACROSS THE POND: NAMES

By Joe Cillo

WHAT’S IN A NAME?

That which we call a rose by any other name would smell as sweet.
William Shakespeare

We aren’t naming our babies George, anymore.  Evidently, parents don’t want to saddle their children with names that imply delusions of royalty.  Instead of naming our little boys nice solid names like George, William or Harry, we are turning to something more exotic like Mohammed or Ali. I think that is a huge mistake.   A very young child can manage to spell George or Harry easily enough but what is he to do when he has to remember how many em’s and where the a’s and the e’s go in a name like Mohammed?  The challenge is even greater even for the little guy if his parents go a bit more exotic and opt for Ibrahim or Omar.

Girls fare no better with the top name of the year: Sophia.  You have to be pretty mature to understand that p and h together make f.  And worse, the i in that name sounds like an e.  That is a lot of remembering to expect from a little 4-year-old maiden trying to spell her name for her teacher.

The truth is simple names sound much more solid and reliable.  You can trust a guy named Bill and you KNOW you count on a Jane or a Mary.  I have found that people often adopt the characteristics implied by their names.  If I have a friend named Lucretia, I know she is going to be all over the place with so many syllables and funny letter combinations.  …a frivolous, unreliable person who forces you to stop and think before you address an e mail to her.

I personally love the name George and I think Kate and William had the right idea when they christened their little prince.  When I envision a George, I see a no frills, honest, down-to-earth guy I can trust; just the kind of qualities women look for in a partner, and bosses want in their interns.  No doubt about it, you name your child George and everyone will believe in his integrity and look up to him before they even meet him.  A name like George reeks of authority.  It gives you a feeling of security.  A guy named George could very well end up a king. Mohammed?  Not so much.

 

 

 

Off Broadway West’s The Train Driver by Athol Fugard at the Phoenix a Must See!

By Linda Ayres-Frederick

Few shows can be described as riveting but Off Broadway West’s Bay Area premiere production of The Train Driver by Athol Fugard fits that description precisely. It helps to have a Tony Award winning playwright and seasoned director Richard D. Harder to interpret the work. Harder previously won an SF Bay Area Critics Circle Award for directing  OBW’s production of Fugard’s “Master Harold” and the Boys.

Set in Fugard’s native South Africa, the 75 minute drama follows a white train driver Roelf Visagie (intensely depicted by Conor Hamill) who is devastated by unintentionally killing a black woman who stepped in front of his moving train with an infant strapped to her back. Haunted by the experience, Roelf seeks solace and answers by traveling to the township’s graveyard where he encounters the aged black gravedigger named Simon Hanabe (a sensitive portrayal by Melvin Thompson). Simon’s job is to bury the “nameless”. Through their unlikely friendship, Roelf comes to face his guilt and remorse.

Melvin Thompson, Conor Hamill

Fugard has called The Train Driver his most significant work in a 50-year career.  A longtime advocate of the abolition of apartheid, Fugard is a master storyteller interweaving the personal with the political. While his characters may not be formally educated, their driving need to understand their life experience makes them both genuinely articulate and ultimately poetic.

The Train Driver continues at 8pm Thursdays, Fridays & Saturdays through December 6, 2014. 3pm Sunday Matinee November 30.

The Phoenix Theatre, 414 Mason Street (near Geary)  Sixth Floor,  SF

Tickets: $40 General Admission (TBA, Senior, Student & Group Discounts Available)  1.800.838.3006  www.offbroadwaywest.org

Information: 510.835.4205  info@offbroadwaywest.org

November 23, 2014  Linda Ayres-Frederick

Austen‘s Persuasion

By Flora Lynn Isaacson

Austen‘s Persuasion
Adapted by Jennifer Le Blanc at RVP

Popular English author Jane Austen (Pride and Prejudice and Sense and Sensibility) had a final novel Persuasion which has been brought to life by Marin native Jennifer Le Blanc and directed by Mary Ann Rodgers.

Anne Elliot (Robyn Grahn) is the 27-year-old over-looked middle daughter of the vain Sir Walter Elliot (Steve Price), an arrogant baron who spends excessive amounts of money. Eight years before the story properly begins, Anne is happily engaged to a Naval officer, Frederick Wentworth (Gregg Le Blanc – husband of Jennifer), but she suddenly breaks off the engagement when persuaded by her friend, Lady Russell (Rachel Kayhan) that such a match with a penniless man is unworthy. The breakup produces in Anne deep and long-lasting regret.

Wentworth re-enters Anne’s life when Sir Walter is forced by his own financial irresponsibility to rent-out Kellynch Hall, the family estate. Kellynch’s tenants turn out to be none other than Wentworth’s sister Sophia (Ellen Brooks) and her husband, the recently retired Admiral Croft (Clay David). Wentworth, who has just returned from sea, is now a rich and successful captain and has never forgiven Anne for rejecting him. While publicly declaring he is ready to marry any suitable young woman who catches his fancy, he privately resolves that he is ready to become attached to any appealing young woman with the exception of Anne. All of the tension of Persuasion revolves around one question: will Anne and Wentworth be reunited in their love?

Mary Ann Rodgers and her capable 20-member-cast give impressive performances. Robyn Grahn is perfect in the central character, and Greg Le Blanc is also wonderful as Capt. Wentworth. Rachel Kayhan begins the play as Lady Russell, the person who persuaded Anne to dump Wentworth. Notable performances from the talented cast also include Jayme Catalano, as Anne’s sister Elizabeth, Steve Price, as Sir Walter, Ellen Brooks as Sophia, Clay David, as Adm. Croft, and a superb actress, Anne Ripley in a cameo role as the dowager Lady Dalrymple.

Many of the actors stepped briefly out of character to deliver a running narrative connecting plot development that otherwise might have been difficult to follow. An easel stage-right informed the audience as to the locale of each scene (which would have remained a mystery). Set designer Malcolm Rodgers gives us an all-white set which becomes both indoor and outdoor locations. One nice special effect was twirling parasols when the characters rode in a carriage. The period costumes by Michael A. Berg were outstanding – absolutely stole the show. First produced after her death in 1817, Persuasion is the last of Jane Austen’s romantic novels. As adapted by Jennifer Le Blanc, Persuasion retains its own enduring charm.

Persuasion is running at Ross Valley Players from November 14 through December 14. Thursday performances are at 7:30 p.m.; Friday and Saturday performances are at 8 p.m.; Sunday matinees are at 2 p.m. There will be Special Performances on Saturday, December 13th, at 2 p.m. and 8 p.m. All performances take place at the Barn Theater of the Ross Valley Players at 30 Sir Francis Drake Blvd., Ross CA. To order tickets, call 415-456-9555, extension 1, or go on line to www.RossValleyPlayers.com.

Coming up next at RVP will be Impressionism, a contemporary romance by Michael Jacobs, from January 16 to February 15, 2015.

Flora Lynn Isaacson

A Musical for the Holiday Season at SF Playhouse “Promises, Promises”

By Linda Ayres-Frederick

Promises, Promises is one of those musical comedies that borrowed its plot from a non-musical film, and a 1960 classic at that. The comedy-drama “The Apartment” produced, directed and co-authored by Billy Wilder starred Jack Lemmon, Shirley MacLaine and Fred MacMurray and won six well-deserved Academy Awards. In 1969 Neil Simon and Burt Bacharach adapted the film and turned it into the musical Promises, Promises. The most memorable song of the show, “I’ll Never Fall in Love Again” joined the standards of the day, earning a Grammy Nomination and became a hit single sung by Dionne Warwick.  But what does all this have to do with the current local production of Promises, Promises now running at SF Playhouse? The show fits nicely into a holiday season motif with its office Christmas party revels as well as the less than desirable aspects of the season: broken-hearted naivete seeking solace by downing too many sleeping pills.

Leah Shesky, Steven Shear, and Jeffrey Brian Adams

Chuck Baxter (a convincing Jeffrey Brian Adams) is the ambitious but invisible office worker who gains attention by lending his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a would-be girlfriend Fran Kubelik (the charming Monique Hafen) with his callous boss J.D. Sheldrake (Johnny Moreno). With hope of gaining Fran’s attention dashed, Chuck seeks solace picking up a tipsy Marge (the hilarious Corinne Proctor) at the local bar only to be surprised to discover

Fran nearly overdosed in his bed. Once rid of Marge, he seeks help from his neighbor Dr. Dreyfuss (the comedic Ray Reinhardt) to save Fran’s life.

With creative choreography by Kimberly Richards, the two and a half hour show includes a dizzying array of projections by Micah Steiglitz. The stronger second act makes additional use of Director Bill English’s Set Design as it shifts back and forth from the office locales to the interior of the apartment.

Promises, Promises continues Tuesdays through Sundays thru January 10, 2015. No shows 11/27,12/24, 12/25, 1/1 Tickets: $20-$120. 415.677.9596. www.sfplayhouse.org.

November 2014 Linda Ayres-Frederick

Wild Women

By Joe Cillo

Well-behaved women seldom make history.
Laurel Thatcher Ulrich

My friend Nancy was married to a man she liked well enough.  They had a little daughter together and life went along smoothly. When the little girl was 2 years old, Nancy went to a party and met the most exciting, marvelous romantic man she ever imagined.  She danced two dances with him, called her husband and said, “Put the baby to sleep. I won’t be home tonight.  I am in love.”

Wow.

My buddy Helen nursed her husband through a six-year fight with cancer. The day after he died, she realized she was a millionaire. She booked a trip to India, took a vacation in Cuba, found a hot Samba dancer to squire her around and became a fan dancer. She never once wore black.

These days, women are tough.  They learn karate and they fight back.  The day of The Little Woman is long gone .  My father taught me that if there was a man in the room, a lady never touches a doorknob.  If I tried that little trick today I would never get out of the room.  Women today are liberated…. But to me they aren’t very interesting.  They are overworked and underappreciated.

Nora Ephron said that the only thing a woman gained from the Women’s Movement is paying her own way. I see the modern matron, dressed in her trim executive suit, running an office all day, driving home battling rush hour traffic and stopping at the super market to pick up food for dinner.  She pulls into the driveway, grabs her laptop and two bags of groceries, kicks the door open with her foot and staggers into the kitchen to put her purchases away.

She pulls off her shoes, asks the kids about their homework, kisses her husband and says “How was your day, darling?”

She starts dinner and goes upstairs to change into something a bit less constraining than her office garb.  You can’t really do a job with dinner when you are constricted by a latex tummy controller and a push up bra.  She manages to put together a stir-fry, salad and ice cream for dessert and calls everyone to the table.  Her oldest son says he isn’t hungry, the middle one takes his plate up to his room and her daughter refuses to eat anything but the ice cream.

She cleans the kitchen, hauls out the hoover and does the rugs.  She has been on the go since 6 a.m. when she got up to pack lunches for the children. She is too exhausted to make conversation and way too tired for romance.

Today’s woman can try anything and be anything as long as she is willing to take less pay for twice as much work.  She can be an executive that runs complex multifaceted companies.  But she needs to ignore those snide remarks about emasculating men or being a bit…well you know…a bit ballsy.

If this is liberation, I want none of it. I would rather be interesting and out of the box.

I don’t want to do it all for everyone.  I want to do it all for myself.  I am untamed and erratic.  I wear feather boas in Tesco’s and drink champagne for breakfast. I cook dinner naked and put on my slippers to get the mail.  I am wild. And wild is very interesting.

When I walk into a room, the sun to rises and the blinds blink.  I am so unusual, cows give me whipped cream and bread turns into toast.   So do men.

It seems to me that liberated women play so many roles they don’t have time to be themselves. That is too tame for me. I want to be wild…I want to be interesting…I want to be fun.  All it takes is a little determination and a lot of red wine.

Once upon a time in the dark ages of the twentieth century there were man things and women things.  Men took out the trash, fixed the cars and lifted heavy stuff.  They drove cars and demanded food.  They earned money.  Women stayed at home and talked on the phone.  They pushed buttons on their modern appliances, shopped at the mall and went to their psychiatrist on a weekly basis.  They felt used.  They had to give sex on demand and still cook dinner and wash the dishes.  And so they rebelled.

NOW they have it all…..because they have to do it all.

I think it is time to share the chores and divide the pleasures.  The only problem is that no red blooded liberated woman wants to have sex with a guy in an apron….unless he isn’t wearing anything else.

VIEW FROM ACROSS THE POND: OMG

By Joe Cillo

OH MY GOD!!!!

Only when we are no longer afraid
Do we begin to live.
Dorothy Thompson

It is always something…and that something terrorizes us.  In Britain, we are all petrified of spiders and the strongest among us get queasy when we look down from a high place. If we are planning suicide, we much prefer to hang ourselves or swallow poison.  It isn’t as scary.

All of us can feel our blood pressure rise when we hear what is happening to the ozone layer even though not one of us have ever seen it or really know what it is.

We were warned that greater exposure to ultra violet rays has caused a rise in melanomas to eat away our skin even as it blinds innocent fish and little bunnies.  Every educated person worries that our deserts are expanding and we are going to dry out if we are not completely cooked by global warming or drowned by the melting glaciers first.  Worse, the air has become so polluted that if anyone dares to take a deep breath these days, he will die. Now it is the Ebola Virus that is seeping in from Africa and will kill every one of us within moments.

What next?

I have lived through it all and I can testify that all of it is smoke and mirrors.  My mother believed that the Russians created the Asian Flu epidemic and I believed she was the cause of all my cavities.  My sister blamed my mother for making her so fat and my mother blamed my father when the car stalled.

All of us are afraid that we won’t have enough money to take care of ourselves until we die and now that we all live longer, we are stashing funds into retirement accounts, under mattresses and behind the furnace just in case we have the bad luck to live to be 110.

The truth is that all the fuss about organic foods is spoiling dinner. I am sorry if the beef I eat was taken from viciously murdered cows and I feel terrible for the spinach soaked in nasty insecticides so it wouldn’t look like green Swiss cheese when it arrived at the table. If am going to worry that the vegetables in my salad had an unhappy childhood or the cream I rub on my face is nothing but wax, I am not going to have time to go dancing.

Hooray for caring about our environment.  Hooray for doing our best to clean up the air and return to real food instead of the genetically modified, tasteless fakes the supermarkets give us.  Hooray, too,  for medical advances that protect us from epidemics.  I believe in doing our best to do our best for ourselves now….and deal with disaster when it happens. If the coward dies 1000 deaths and the hero dies but one, I want to be a hero.

 

 

VIEW FROM ACROSS THE POND: NO THANK YOU

By Joe Cillo

 

NO, THANK YOU

If the only prayer you ever say in your entire life
Is “No thank you,” it will be enough.
Lynn Ruth and Meister Eckhart

No one likes to take responsibility for their own destiny and the American people are a prime example.  They have blamed the car manufacturers for our automobile fatalities, the cigarette manufacturers for lung cancer and now they are blaming dessert creators for our obesity.  It turns out that unsuspecting consumers are not at fault for increasing their circumference faster than the speed of light.  Nor is it their doing that they no longer fit in a revolving door.  The blame is now on those profit-mongering villains who make delectable biscuits, marvelous confections and delicious drinks to quench our thirst. Indeed, these greedy monsters are deliberately adding a ton of sugar to all the goods we adore for the sole purpose of making diabetes our national disease.

The latest scientific studies confirm their corruption.  Sugar is toxic and unscrupulous manufacturers like Sara Lee (yummy cheesecake) or Krispy Kreme Doughnuts have deliberately stuffed their products with this poisonous substance that has been proven to kill us even faster than fatty beef will clog our arteries.

In less informed times, these bakers were our heroes.  We longed for their recipes, gobbled up their products and reveled in the sugar high we got to finish our meal.  We reached blindly for them in the mid-afternoon to pep us up when the “threesies” hit.  Now, thanks to those experts who conduct scientific studies that destroy our confidence in our own preferences, we all know better.  We have been the innocent pushovers of a diabolical plot to put money in the pockets of the obscenely rich manufacturers of cookies, cakes and pies even as we collapse in droves from insulin failure.

The baking industry and the soft drink tycoons are scandalized at the accusations the scientific community has made to smudge their good name and destroy their public image. After all, they say, all they did was create a product that people enjoyed eating. “Don’t talk to me about nutrition,” one reportedly said. “Talk to me about taste, and if this stuff tastes better, don’t run around trying to sell stuff that doesn’t taste good.”

I cannot help but remember my sister who turned to hypnotism to help her when she topped 400 pounds.  “My right hand was hypnotized so it would not touch the refrigerator,” she said.  “So I learned to open it with my left.”

Now, I know perfectly well that it has become politically incorrect to blame the consumer for what he consumes but I cannot help but remember my dear old mother (who wasn’t dear ALL the time but sadly almost always right) when she said.  “If you don’t want it, just say, ‘no thank you.’”

I would love to see a scientific study that figures out why the obese among us are incapable of pushing away that second piece of pie, or turning their noses up and their fifth glass of soda pop.  I suspect that if we could create a no thank you serum to inject into ourselves before dinner, we would save a fortune in diabetic remedies, fat farms and gastric by-passes.  Isn’t funny, how simple solutions seem to escape us?

In the dark ages when I was a child, Gwendolyn Turner and I took my chubby sister to an ice cream parlor and, because we only had thirty-five cents between us, we ordered a chocolate soda with three straws.  My sister, who was the shortest, grabbed her straw and began drinking.  Gwendolyn and I kept bumping heads trying to get to our straws and before we managed to solve this spatial challenge my sister had finished the soda.  Moral: If you want something bad enough, there is always a way to avoid sharing it.

My mother’s family was very poor and ate potatoes almost every night.  Every once in a while, my grandma managed to bake a cake for her 4 daughters and her son, Charlie.  She would cut it into portions, put it on the table and as soon as all four little girls look rapturously at their dessert, my Uncle Charlie would point to the ceiling and shout “LOOK!!!”  When his sisters looked down again at their plates, their cake had disappeared.  Moral: Brothers cannot be trusted any more that the manufacturers of sugar-filled products; scheming monsters every one of them.

 

 

 

 

 

 

VIEW FROM ACROSS THE POND :NAKED

By Joe Cillo

NAKED IS AS NAKED DOES

The male body is hairy and lumpy
And should not be seen by the light of day
Richard Roeper

Americans do not mind seeing people murdered on their television screen and they love watching heads flying and limbs severed at the movies.  They like the rat-a-tat-tat of gunfire, bodies strewn across the pavement and little children crying for their lost mummies and daddies.   The more violence the better.  That is the American way.

The truth is that violence and tragedy make great entertainment.  So does pornography.  Americans actually prefer to watch lust happening even more than they like doing it. What a thrill to see a man and women tearing each other’s genitals to pieces or whipping and chaining each other for the sheer pleasure of hearing them scream.  Porn is almost as popular in America as violence.  We watch both every day and love it all.

But let some poor schnook walk outside to get the newspaper in the altogether and he ignites public outrage. “It offends me to see anyone that way,” said one insulted observer. “It is disgusting.”

That is why San Francisco decided to compromise its image of freedom of expression and tolerance of the odd-ball and ban public nudity from its streets.  No more can raunchy old men spread a towel on a stone bench and sun themselves in the Castro district.  No more, can its citizens strip to the flesh to bathe in the afternoon sun.  San Francisco now supports the theory that our bodies are so hideous they must be concealed in public.  No matter, that liberated women, forward thinking men and eating disorder specialists are trying to make us comfy with our diverse shapes and sizes.  In San Francisco, it is pc to be ashamed.

Now, it seems that the Japanese, too are offended by nudity, but they have taken it one step further.  They do not want to see representations of the human body, much less the real thing. Michelangelo’s David  was presented to the town of Okuizumo and the inhabitants ran for cover.  “It’s frightening the children and worrying the adults with its nakedness,” said one of the town’s bigwigs.

I can only assume that they have also stripped their museums of reproductions of Van Gogh’s NUDE WOMAN ON A BED or Renoir’s AFER BATHING not to mention Whistler’s shocking NUDE GIRL WITH A BOWL.

Obviously, the very sight of a naked body horrifies the more sensitive among us.   It is difficult to understand why we think the sight of a penis or a breast will frighten our children more than the sight of shattered limbs and battered heads. Will our innocent youth smash the bathroom mirror when one day they see those very banned organs protruding from their own bodies?

The truth is that in America our bodies are considered repulsive and offensive unless we film them and flaunt them on a screen.  The only answer to this dilemma is to cover every baby at birth with ornamental tattoos so that as they mature, no one will recognize the new growth.  And everyone will be amazed when it rises to an occasion.

 

 

I don’t even like to be naked
In front of myself!
Camryn Manheim

VIEW FROM ACROSS THE POND: THE BORING GENERATION

By Joe Cillo

THE BORING GENERATION

Virtually everything people believe in
can be exposed as possessing laughable inconsistencies.
And so they laugh. And stand still
Scott Turow

It seems that people born after 1980 don’t like to party. Radio 4 has labeled them “Generation Right” because they are not interested in bar-hopping, binge-drinking and cocaine.   Instead, they prefer to stay at home and knit. I can hardly blame them.

I am from the Silent Generation. We endured The Depression, World War II, Korea, the atom bomb, the Cold War and held tight to our own values and comfortable life styles.  Generation Y has observed the things we thought were holy and asked, ”Really?  Is marriage that great?  Do we need to believe in God?  Is your work your whole life? Is it all about sex? What is really important?”

I think that is a very good thing.  The truth is that the outside world puzzled me, too.  It was knitting that gave me perspective. A ball of yarn and two needles was all it took to lower my blood pressure and absorb me in something besides what everyone thought of me and what we were having for dinner.

I was ten years old.

My Aunt Hazel and my mother were arguing about me.  “She sits in the closet reading a book a day,” said my mother.  “Her room is a mess and I cannot get her to set the table.”

My aunt who adored me because when she fed me dinner she never had leftovers, rushed to my defense.  “She needs a hobby,” she told my mother.

She opened the closet door and closed my book.  “You have a disgusting pallor from sitting in here all day reading about other people’s lives.    I am going to teach you how to live your own.  I am going to teach you to knit.”

“What does that have to do with life?” I asked.

“Everything,” said Aunt Hazel and took me to the yarn shop. My first project was a green scarf. Endless scarves, mittens, hats, argyle socks, suits, skirts, dresses and coats followed as the world bucked and bolted, climates changed, morals were destroyed, the definition of male and female blurred, test tubes created babies and modified vegetables, single was not a death sentence and marriage was not forever. I believe it was the click of the needles and the transformation of yarn into garments that kept me sane through all that chaos.

Generations that followed turned to medication to help them cope, but Generation Y got smart. It has seen the world fight for women’s rights, gay rights, diversity, environmental preservation, and abolition of war and thought ”What a waste of energy!”

And that’s why it stays home and knits.  Just like me.